Showing posts with label pulp. Show all posts
Showing posts with label pulp. Show all posts

Tuesday, September 15, 2015

Free Mary Jane Gallows!

No, she hasn't been arrested. What we mean is that Chapter One of the incredible adventures of the Black Centipede's... whatever, Bloody Mary Jane Gallows, supernatural "daughter" of Lizzie Borden and Jack the Ripper is now FREE on Amazon Kindle! That's right, I said FREE. That's as cheap as it gets without us actually paying you to read it! So GO!!!

http://www.amazon.com/My-Florida-Idyll-Episode-Fabulous-ebook/dp/B00LRJRZME/ref=la_B005WX2CKQ_1_19?s=books&ie=UTF8&qid=1442342916&sr=1-19&refinements=p_82%3AB005WX2CKQ

By L. Columbus TOP 1000 REVIEWER on December 1, 2015
Format: Kindle Edition Verified Purchase
I'm so glad the author provided this first volume as a free ebook. I've been burned too many times trying a new writer, only to discover their writing leaves much to be desired. Not the case here I'm happy to say! Mr. Miller is the real deal and as of right now, the best author working in the new pulp genre that I've come across. I found the story engaging, the main character fascinating and the plot exciting. A quick, but throughly satisfying read. I will certainly be seeking out more Bloody Mary and The Black Centipede. Thank you Chuck Miller!

Saturday, April 11, 2015

Yet Another Excerpt from BLACK CENTIPEDE CONFIDENTIAL

GET IT HERE: http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller-ebook/dp/B00SP5W6QI/ref=la_B005WX2CKQ_1_4?s=books&ie=UTF8&qid=1428741900&sr=1-4

... I read through the letter and was composing a reply in my head when Prufrock came bustling into my office.

"Mister Doiley has called here seventeen times, sir," he said, with unconcealed irritation. "I really think you should speak with him."

"I never should have given him that number," I groused. "I ought to disconnect it."

"You've had ample opportunity to do so," Proofy pointed out. "But you have not. I would, with all due respect, suggest that you either speak with him or go ahead and disconnect that line. To use a rather vulgar expression I have heard Miss Earhart employ, it is time to 'shit or get off the pot,' if you'll pardon my language, sir."

"Well," I said with considerable amusement, "the analogy is an apt one. A conversation with Percy has a lot in common with that particular bodily function, and the yield is just as predictable. But you're right, Proofy old son, you're absolutely right.

Percival Doiley, for those not in the know, was a young reporter for the Zenith Orator, a newspaper owned by William Randolph Hearst. Percy was also the author of the outlandish stories that turned up every month in Tales of the Black Centipede, a pulp magazine also published by Hearst.

With a certain amount of reluctance, I picked up the phone and dialed the Orator newsroom.

"Well," said Percy tartly when I got him on the line, "your royal highness can spare a few minutes to talk to a peon like me, huh? Wow, I feel privileged."

"Never mind all that," I said. "I'm not in the mood for it. What the hell's going on with you that's so urgent?"

"What do you care?"

"Percy..."

"Yeah, yeah. I can't talk to you right now, but you need to meet me at the Orator tomorrow. Can you do that, your majesty? Hearst has a big thing planned, so you'll have to see him, which I know you hate, but nobody gives a shit. You'll find out the whole thing then, and you can be a smartass or whatever you're gonna do. Will you be there?"

"I guess so."

"Swell!" he snapped. He named a time and slammed down the receiver without waiting for me to confirm it.

*

At the appointed hour, I met Percy in the lobby of the Zenith Orator building, and was surprised to see that he had a pair of thick-lensed glasses perched on his nose.

"What's with the cheaters, Percy?" I asked.

"Ah, my eyesight's been going downhill for a couple years now," he said sourly, blinking and fiddling with the specs. "It's my old man's fault. He's blind as a bat, practically, and I guess he passed it on to me, thank you very goddamn much."

"Well, they don't look half bad," I said with great insincerity. "They make you look intelligent. Like a college professor or something."

"Shit," he said, "that's all I need."

"Is that what you've been so upset about?"

"Hell, no."

We rode the elevator up to the top floor. Percy was miserable. I was, as always, inscrutable.

Entering the tastelessly-decorated office, the first thing I saw was my loathsome patron, the phlegmatic William Randolph Hearst-- publisher of the Orator and a few other newspapers around the country-- seated behind his expensive mahogany desk. Two of the other chairs held a couple of characters I'd never seen before.

"Mister Centipede!" Hearst boomed, his voice dripping with false bonhomie. "Wonderful to see you, sir! I have two gentlemen here who are very eager to meet you."

He ignored Percy.

"Mister Walter Gibson, Mister Lester Dent," he said grandly, "meet the Black Centipede!" He sounded like a carnival barker.

The two men stood up, but they didn't look very eager. Dent-- dapper and jaunty, with wire-rimmed spectacles and a small mustache waxed into two dangerous-looking points-- seemed to be trying to avoid eye contact. There was something vaguely seedy, not to say sinister, about him. Here was a man who had gone places and done things he might not want to talk about in mixed company. And I had a strong feeling that he knew I could see it.

"Goodameetcha," he muttered, gazing at a potted plant next to Hearst's desk.

Gibson, on the other hand, couldn't seem to take his eyes off me. He was practically gawking. He had dark hair, a clean-shaven, wedge-shaped face, and glasses similar to Dent's, though the lenses were much larger.

"Holy cow," he said as he pumped my hand. His voice and face were utterly wholesome, with no indication of any hidden guile. Of course, those are the ones you have to keep an eye on. He was nervous, but I did detect some of the eagerness Hearst had promised. I sensed that he wasn't nearly as worldly as Lester Dent, but he was the type that didn't need to be. He seemed to have the sort of robust innocence that jaded men strive for without realizing that's what they're doing.

And the man who should have been the king of this particular hill-- Percival J. Doiley, sole author of the nation's number one pulp adventure mag-- sat in a chair against the wall, crossing and uncrossing his legs, looking as though he were about to start crying. His head was on the chopping block, and kingmaker Hearst was sharpening the axe as he interviewed potential usurpers.

Once we were all seated, Hearst started his spiel.

"I have brought you all together," he said, clearly enjoying the sound of his own voice, "to discuss the future. The Black Centipede has proven a force to be reckoned with in the entertainment industry. A best-selling monthly magazine and a smash hit motion picture, and all of it in less than a year from the day he signed on with the Hearst Corporation.

"Young Mister Percival Doiley has done an... admirable job of chronicling the Black Centipede's true-life adventures in our publication, as well as on the big screen. But, as we all certainly know, there comes a time when a man must move on to bigger and better things. He has displayed an extraordinary talent for composing obituaries, and can produce extraordinarily riveting accounts of local flower shows. Also, our home delivery division could use another reliable carrier. You see, his potential is unlimited."

Here was Hearst the Sadistic Sonofabitch in full flower. Poor Percy had chewed the fingernail off of his right index finger, and was now trying to gnaw his way down to the bone. What had the young reporter/pulp writer done or failed to do to arouse his master's ire?

"And now," said Hearst with a nasty smile, "it is, perhaps, time to free Mister Doiley from the grind of pounding out a complete novel each and every month. I feel that his brilliance and youthful vigor might be put to better use elsewhere.

"And that, Mister Gibson and Mister Dent, is why I have asked you to come here today. You are two of the finest creators in the adventure magazine field. Either of you would be a feather in any publisher's cap."

Dent was scowling. "Hell, Mister Hearst, I'm doing okay, and so is Walter. We're fine just where we are. Would you like to know how much Street and Smith is paying me?"

The magazine Dent wrote for had just taken off in a big way. The first issue had hit the stands in February of 1933. Six months later, it was among the largest selling pulp adventure magazines in the country, second only to Tales of the Black Centipede.

Gibson wasn't doing too badly, either. His magazine had been around longer-- since 1931-- and, sales-wise, he was usually neck-and-neck with the upstart Dent.

"I already do," Hearst said, smiling like a degenerate Buddha. "I took the liberty of inquiring. You, too, Mister Gibson. I know how much both of you make. And it is impressive, especially in the depths of this Depression. However... I am willing to double the amount you earn, should you happen to become associated with me."

Dent and Gibson looked at each other. Percy had given up on his finger and was now trying to chew off his bottom lip.

"I'd like to hear more," said Dent.

"So would I," said Gibson.

Hearst nodded, looking very pleased with himself. "Let me ask you gentlemen a few questions. Mister Gibson, how does your arrangement with your... ah, client work? What sort of contact do you have with the man whose adventures you chronicle?"

"Well," said Gibson, "he sends me all of his personal case notes, and between that and newspaper accounts, I work up a story. I have a sort of rapport with him, even though we've never met personally. He's very clever, very tricky. I guess we sort of have that in common. My hobby is magic. Illusions, I mean, not actual sorcery-- stage magic, sleight of hand, that kind of thing. So I can get into his head a little bit. And I strive to be as accurate as I can."

Percy broke his silence in order to clutch at a straw. "Amazing!" he chimed in, his voice taut with desperation. "That's how I do it, too!"

This was, of course, a lie. I had never given Percy so much as a scribbled-on napkin. He made everything up out of whole cloth-- when he wasn't "borrowing" plots and characters from writers who were too dead to sue him.

"Wow," Percy continued. "Great minds and all that, huh, fellas?"

The sound of chirping crickets would not have been out of place in the silence that followed.

"And you, Mister Dent," Hearst said, ostentatiously ignoring Percy. "How do you do your work?"

"Generally speaking," said Dent, "my guy is a little more forthcoming than Walter's is. I go up to his headquarters once or twice a month, shoot the breeze with him and his aides. I get most of my dope from personal interviews, though I have gone along on a couple of their cases. I don't write myself into the action, though. I think, as a writer, you should keep a little distance between you and your subjects."

"That's my philosophy, too!" Percy offered. "I help the Centipede out all the time! We're great friends, he tells me everything. But, you know, I don't make a big deal out of my contributions, even though..."

"You know," said Gibson, addressing Dent, "I kind of envy you. My guy is a little too mysterious. I'm a magician, a sleight-of-hand artist, and I can figure out some of his tricks, but not all of them. And I've never been anywhere near an actual case. I don't think I'd want to, frankly."

"I don't make a habit of it," said Dent. "It can get pretty hairy. I don't run from danger, but some of the stuff those guys get into..."

"It just so happens," Percy gamely put in, completely ignoring the fact that he was being completely ignored, "I once captured Professor Necrosis almost single-handed, practically. He was about to blow up Saint Margo's Children's Hospital, and he had the Centipede all trussed up and was about to use the Cadaver Beam on him, so I sort of..."

"The fact is, Walter," Dent was saying, "I sometimes envy you. I like my guy well enough, I'm used to him, but yours... He's more of a maverick, isn't he? A real lone wolf. To me, that's appealing. My guy is a little too predictable. Hell, I've even worked out a sort of story formula based on the way his cases usually go. There aren't many surprises. And I like to be surprised sometimes."

He probably believed that was true.

It was time for Hearst to dip his oar back in. "I think you gentlemen will find that, as a story subject, the Black Centipede embodies the best of both worlds. He is very public-- known, respected, even loved by the masses. Nobody knows who he is, but everybody knows that he is here with us. He's got what it takes. I don't believe either of you would be disappointed with him."

This went on for quite some time. Frankly, I was not taking the whole thing very seriously, and was giving it very little attention. I had vampires and bank robbers on my mind. When the thing finally wound down and stopped, I took my leave of the group, promising to give thought to something or other and get back in touch with Hearst very soon.

Five minutes later, I had forgotten the whole thing.


 http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller-ebook/dp/B00SP5W6QI/ref=la_B005WX2CKQ_1_4?s=books&ie=UTF8&qid=1428741900&sr=1-4

Friday, January 9, 2015

Doctor Unknown Junior (and friends) for 99 cents on Amazon Kindle

EXCERPT FROM "The Abominable Myra Linsky Rises Again," a Doctor Unknown Junior adventure.

99 cents on Amazon:
http://www.amazon.com/Pro-Se-Presents-August-2012-ebook/dp/B00985KZ62/ref=asap_bc?ie=UTF8 

Also includes "Kelly's Beast" by David Blalock and "The Unwrapping Party" by Joshua Reynolds.

(Note: The Piecework Horror is a supernatural entity summoned by Dana Unknown's old school chum, the eponymous Myra Linsky. It is constructing a body for itself out of odds and ends from dead serial killers.)

CHAPTER THREE
tl;dr

The following afternoon, just for the hell of it, I was doing some actual work. I had catalogued all of the magical objects and fetishes Dana had on hand at the brownstone, and was now busy updating files pertaining to new occult spells and procedures. Dana needed to keep up with all this stuff for when and if she ever got herself back up to full strength. I wanted to have the administrative stuff in good shape before I left.

Dana, looking as glum as I had ever seen her, entered the office and went straight to her desk. She flopped down into her chair and busied herself with the vital work of staring at the wall. I continued with what I was doing, not wanting to embarrass her with inquires about her well-being.

Suddenly, the boards I had nailed over the broken window burst apart and flew across the room in a shower of splinters.

"Dammit!" I shouted, "that took me two hours!"

It was, of course, that goddamn stupid Piecework Horror again.

"I'm back," it said. This time it had two distinct voices, both of them speaking German-accented English. "Once I get some arms and legs, I'm going on a spree!"

Dana said a bad word, and so did I. The situation called for it. Who the hell wants to look at a thing like that? It hung there in the air, a few feet off the ground, Peter Kurten's nasty head, now welded onto the neck of a limbless torso. It was enough to give a person bad dreams.

I was startled, I'll admit, and my first move didn't amount to much. I stood and picked up the closest object at hand, a magic marker, and threw it. It bounced off the Horror's head, landed on the carpet, and rolled under the sofa.

"Bravo," Dana said sourly.

"Well, if you can do any better, go ahead!"

The Horror had not reacted at all to my withering barrage. It just drifted there, bobbing gently up and down. I wasn't sure what it was trying to accomplish. Keeping my eyes on the creature, I slowly and carefully opened one of my desk drawers and removed from it two objects. Meanwhile, Dana had gone into action of a sort. She had started up some kind of weird chant, and was moving her hands in intricate, sinuous patterns.

Though she had never explained it, I gathered that Dana's magical abilities were part genetic, part learned. She came from a family of powerful sorcerers of various stripes. Her father, Doctor Raul Deveraux Unknown, had been a crimefighter for years and years; her mysterious, never-mentioned mother had been some kind of a Voodoo bigwig down in New Orleans. Dana's slightly dusky complexion and dark hair hinted at some Creole in the woodpile. She never spoke of that side of her family, and I figured there was a story there that would one day manifest itself in some catastrophic way.

I did not know exactly what had been damaged in her or how she was going about fixing it. She kept that information a closely-guarded secret. It looked as though she was now trying to cast a spell, and I hoped she'd made progress since the last time she'd had a go at something magical.

It seemed that my hope was not in vain, because a small ball of light took shape in the air in front of her. Her hand movements speeded up and the chant rose in pitch. She seemed to be straining herself; she was sweating profusely and chanting through gritted teeth. The ball of light grew larger. The Piecework Horror just floated in place, as though it hadn't a care in the world. I was fiddling with the objects I had taken from my drawer, making sure one was charged and activated, and the other fully loaded.

Dana's ball of light swelled until it was a bit larger than a basketball. This seemed to satisfy her; her face and body relaxed and she took a deep breath. Shouting something that sounded "Alakazam," (though she later denied that) she made a shoving motion with her hands, and the ball sped toward the Horror.

Almost. A valiant try, but Dana had rolled a gutter ball. The globe of whatever it was missed the floating monster by a good two feet and slammed into the wall, shattering the glass over a framed portrait of Harry Houdini. Dana cursed and ducked as the ball bounced back in her direction, whizzing over her head and hitting a bookcase, scattering volumes of sorcerous lore all over the place. Dana lost her footing and fell to the floor. The ball shuddered for a couple of seconds, then winked out.

"Nice," I said, aiming an ordinary automatic pistol at the Horror. "At least my magic marker didn't wreck the whole house, practically."

I fired five quick shots at the Horror's head. I didn't expect that to do anything but distract it, which was all I wanted. It rocked back a little and seemed to be in some mild distress. I sprang forward and tackled it around the waist, a very unpleasant experience. The thing was clammy and smelled of mold. It shook me off easily, which I had also expected.

I stepped back and fired my remaining two shots at the limbless ghoul. It bobbed and weaved and evidently decided it had had enough of me. It zoomed toward a window, crashed through it, and was gone.

I walked over to Dana, who was sprawled out on the floor among the scattered books. "Here, Annie Oakley," I said, holding my hand out. "On your feet."

She glared at me and took my hand. I hauled her upright.

"I don't want to hear anything else from you about this," she said. "Not ever."

"I'm sure you don't, but something tells me you're doomed to be disappointed."

She stomped over to her desk and sat down, scowling blackly at the scattered books.

I sat down at my own desk in a calm, self-possessed way, turned on my computer, and plugged a little gadget into one of the USB ports.

Dana got up and started picking up books and slamming them back onto the shelves. The occasional muttered curse word reached my ears.

I went online and typed in a URL that was known to very few people. I logged in, using a 75-character, case-sensitive password that I had committed to memory. I found the page I wanted, typed in an activation code, and sat back while a map of the United States loaded and the server on the other end of the connection opened a channel to a satellite in geosynchronous orbit.

"If you're looking at that Wet Hooters site again, Jack, I swear I'm going to put a parental control on that thing. Why don't you help me clean this stuff up?"

"Because, one, I didn't make the mess, and, two, I'm busy."

I zoomed in on the map, enlarging the area in which a small red light was blinking. I took note of the direction and speed and made a few quick calculations in my head. Then I used my cursor to draw a straight line on the map. I smiled as I saw that the line passed right through a very interesting spot.

"Well, if you're too lazy to help pick up, you could at least do something vaguely productive," Dana groused.

"Such as?"

"I don't know, but we need to try to find out where the Horror is going next."

"Oh, I know where it's going," I said.

"What? How could you possibly know that?"

"I know because while you were shooting off fireworks, I stuck a GPS tracker on the Horror."

That took the wind out of her sails.

"You did?" she asked, apparently astonished by my competence.

"Yes, I did," I said, studying the display on my monitor. "I'm on the Outrenet right now, tracking it. This is very interesting. If the Horror is traveling in a straight line, which it appears to be, and if it continues on its present course, it will be in Plainfield, Wisconsin, in a few hours."

If you don't know about the Outrenet, don't worry. You aren't supposed to. It exists alongside the Internet, and is used by people you've never heard of, to do things you know nothing about, for reasons you wouldn't understand.

"Is that significant?" Dana asked.

I laughed. "Yeah, kind of. Do you know who is buried in the Plainfield Cemetery?"

"Quite a few people, I would imagine."

"There's one in particular. I'll bet you anything that's where the Horror is headed. And if we hurry, we can get there before it does." Dana wanted to ask about fifty different questions, but I just gave her a nasty smirk and said, "Zip it, sister, and get your hat. We have miles to go before we put this baby to sleep."

I was enjoying knowing more than she did.

Before we left, Dana said, "I may be running on fumes, but I can at least keep that crazy bastard from getting into the house again." She performed some sort of a ritual that would seal the premises tight against further incursions by the Horror. This, evidently, did not constitute doing something to the creature, so it wasn't prohibited by the crazy rules.

"How do we know it worked?" I asked, reasonably enough.

"Well," she said, "we don't. But if the Horror does come back in, we'll know it didn't work."

I didn't find that reassuring at all. Maybe that was her revenge.

*
on AMAZON:

http://www.amazon.com/Pro-Se-Presents-August-2012-ebook/dp/B00985KZ62/ref=asap_bc?ie=UTF8

*

Phantom, excerpted

http://www.amazon.com/…/B00O8WNNJ6/ref=la_B005WX2CKQ_1_2_ti…

These excerpts seem to work as far as selling stuff goes. So I'll give you a small chunk of this one. (Oh, and if you've ever wanted to see Sigmund Freud himself psychoanalyze a masked pulp hero-- and who the hell hasn't?-- this book is for you!)

The alley, running between two tall buildings, was quite dark. Perrone stuck his commandeered pistol into a side pocket. Then he removed his Bay Phantom mask from a large extra pocket he had sewn into his jacket and pulled it over his head. The specially-treated lenses of the built-in goggles would enable him to see better in the gloom.

The man in the green cap was half a block ahead of him, moving quietly and carefully in the deep gloom. He had almost made it to St. Michael Street when someone stepped out of a recessed doorway, grabbed him by the throat, and slammed him against the opposite wall. Perrone slowed almost to a halt and held his breath, creeping forward slowly and silently.

"Where are you going, loose end?" came a weird, sibilant voice, just barely audible from where the Bay Phantom stood.

The newcomer cut a very peculiar figure indeed. Of average height, he was decked out in a bizarre ensemble consisting of a long, white lab coat, black gloves, and something that looked like a gas mask. The latter covered his entire head. Strapped to his back were two vertical metal cylinders, each about a foot and a half high and six to eight inches in diameter. They were fastened to a harness on this individual's back. A hose ran from one of them to a long, wand-like apparatus he was holding in the hand that was not occupied choking the gunner. It was a slender rod about three feet in length, made of stainless steel. The last few inches of its length tapered off to a sharp point.

"Never mind," came the voice again. "It doesn't matter at all. You know you cannot be allowed to run free now. You'll talk. Don't shake your head at me! I know your type."

The Bay Phantom knew what was coming. He broke into a run, but there was no way he could reach the two men in time. The man in the lab coat drew back his strange wand and jammed it into the gunman's torso, thrusting upward and at an angle under the ribcage. It must have gone directly into the struggling man's heart. As he raised his gun to fire, the Phantom became aware of a wheezing, mechanical sound.

"You!" the Phantom shouted. "Stop right there! I'm armed, and I'll shoot you if I must!"

The man turned his masked head in the Phantom's direction.

"I know who you are," he said. "Hang on just a moment, and I'll place myself at your disposal."

As the Bay Phantom closed the gap, the lab-coated man twisted the wand deeper into the gunman's body, as though to secure it, then shrugged out of the harness, letting the cylinders drop to the floor of the alley. The Phantom saw the source of the rhythmic mechanical noise: a little electric motor attached to what appeared to be a small pump. The gunman was released and he slumped to the ground. His eyes were wide and his mouth was twitching violently, but no sound came out; his windpipe had probably been crushed.

"Now," said the weird figure, turning to face the oncoming Phantom, "let's see what you've got!"

The Phantom slowed down and leveled his gun at the man's head.

"I've got a few bullets," he said, "and I'll use them before I'll risk taking you on hand-to-hand. Please just remain still and explain to me what's going on here. What did you just do to that man? I assume that he is beyond medical help at this point."

"I like you," said the other. "You're very well-spoken, even in a tense situation like this. That says a lot about a man. You're that Bay Phantom, aren't you? I'm called the Black Embalmer. I’m not actually black; the name is meant to reinforce the air of foreboding I like to project. It's nice to meet someone else with a mask fetish!"

"It isn't a fetish," snapped the Phantom. "It's a necessary tool."

Moving closer, the Phantom saw that what he had thought was a gas mask was something else entirely. There was a close-fitting hood made of what appeared to be pale, grayish leather. Affixed to the front of it was a queer, lifeless depiction of a human face, made of some material that looked like porcelain. No… not porcelain. Some sort of glaze had been applied to it, but he was sure it was ordinary plaster. That, he realized with a start, is somebody’s death mask!

The features were so poorly-defined that he couldn’t tell if it was a man or a woman. Holes slightly larger than silver dollars had been cut out around the eyes and fitted with tinted lenses, not unlike the ones the Phantom himself wore.

"Okay, okay!” said the Embalmer, holding his hands up in the air. “No need to get tetchy, Miss Mary. I'm just making conversation."

As he continued to advance, never taking his eyes or his gun from the weird apparition, the Phantom became aware of a strong chemical odor: formaldehyde. That's what had been pumped into the gunman's body. It was plain that the man was dead and his suffering was over. It had been brief, but it must have been intense.

"Good God!" he gasped. "What kind of a monster are you?"

"I really don't know how to answer that question," replied the Black Embalmer, sounding very chipper and bouncing up and down on the balls of his feet. "I don't think of myself as a monster, but of course I wouldn't. I take it you've never embalmed anyone alive before. You probably frown upon it.”

“Was this man working for you?”

The Embalmer shrugged. “Yes and no. It’s complicated. It would take too long to explain.”

“I’ve got time,” said the Phantom, jiggling the pistol for emphasis.

“No, you don’t. Because my friend behind you is about to hit you over the head with something heavy. Oh, I know what you’re thinking, of course. But sometimes it really is true.”

“You don’t expect me to…” the Phantom said. That was as far as he got before something very solid collided with the base of his skull and everything went black.

*


This book is HERE:


http://www.amazon.com/…/B00O8WNNJ6/ref=la_B005WX2CKQ_1_2_ti…

Tuesday, November 11, 2014

THE RETURN OF DOCTOR REVERSO: The Beginning of THE END!

CHAPTER WHATEVER

After the two strange young women vanished, I sank into a near-torpor. This current adventure was beginning to get on my nerves. There were plot threads all over the place, and we seemed to be getting further and further from any sort of resolution. I had started hoping that Bloody Mary Jane would pop up out of nowhere and tie the whole thing up neatly, as was her custom, but I knew how unrealistic it was. Anyhow, there were too many characters in the damn thing already. My dear deus ex machina would likely just get lost in the shuffle.

No, if this mess were ever to be brought to an end, I would have to take strong unilateral action.

The first thing I would need to do would be to finish off the entire bottle of whiskey. This I did, in record time. Thus fortified, I made my rather unsteady but absolutely determined way back down to my nerve center.

"Are you all right?" Anonymoushka asked. "You seem a bit wobbly."

"I am absolutely shitfaced," I said with my customary forthrightness. "And it's time to start cleaning house. That process starts with you, my fine faceless filly. I want you to vacate these premises immediately, if not sooner. You are nothing but a distraction, a pointless plot device whose purpose is beyond my ability to imagine."

"Ah!" she exclaimed brightly. "So sweet reason finally dawns in your excuse for a mind! Delightful! Show our lazy and capricious god that you will tolerate no more of his random string-pulling! It is wonderful to see you behaving like a man instead of a sickly gerbil of ill repute! Storm the fourth wall, my preposterous knight erroneous, and show the bastards that they won't have the Black Centipede to kick around any more!"

I grabbed her by an elbow and pointed her toward the door. "Be on your way," I said, "and don't come back until your presence makes some kind of sense."

"Absolutely! I do have a rather major role in Black Centipede Confidential, and a bit of recreation now would not come amiss. See you between the covers! Of the book, I mean..."

"Go!"

She went. I can be very masterful when intoxicated. I turned to Doctor Unknown.

"Is Almanac still at the bottom of the elevator shaft?" I demanded.

"Yes, he is," was the reply. "I think he may be waking up."

"Then he's going to wish he hadn't. Tell me, Raoul, what do you think the net effect would be if someone were to dump roughly 80 gallons of sulfuric acid down onto him?"

"Sweet Hecate," he said, going a bit pale. "I think the effect would be exactly what you'd expect. I don't believe there would be very much left."

I nodded. "I knew that stuff would come in handy one day. I realize you have certain notions about the intentional infliction of suffering and cruelty to even the most vile and obnoxious specimens of animal life, so please just forget I ever asked. I do believe that if I were to twist their arms sufficiently, Patience and Prudence could be persuaded to help me with such a project."

Broad grins appeared on the faces of both girls. This wasn't going to be a hard sell. They had absolutely no love for Doctor Almanac, who had, among other things, ordered the brutal removal of both of their tongues. By allowing them to actually do the deed, I would make lifelong friends of two people whose enemy I would never, ever want to be.

"What do you think?" I said to them. "Can you force yourselves to assist in this heinous operation? For the greater good, of course."

They jumped up and down and clapped their hands. Since the girls were usually the very definition of taciturnity, it was rather like seeing the late Calvin Coolidge strip to his boxers and perform a Cossack dance in the middle of Times Square.

Unknown cleared his throat. "Yes, well, I'm just going to go over here and sort of, ah, pretend that, you know... I don't know anything about this."

And so it came to pass that Patience and Prudence, with minimal assistance from me, committed a truly dreadful act against a truly deserving target. I'll spare you the details, to which I could not do justice anyhow. (Of course, like any villain worth his salt, Almanac managed to survive his ghastly immolation, but I wouldn't learn of that for several more months. As far as we were concerned that day, it was good riddance.) The girls actually kissed me on my masked cheeks after it was accomplished. Perhaps they also silently pledged their fealty to me, so long as my interests did not conflict with those of their boss, the Stiff. Or perhaps they didn't.

They probably didn't. But they were happy. I sent them home in a state of pure homicidal bliss.

I was whittling it down. But I still had Stymie Beard, Percival Doiley, Crusher Cranium, Mag DeMilby, and probably one or two other players whose identities were unknown to me on my plate. Someone had been using Doctor Almanac to get at me, but I had thrown a monkey wrench into their plans by ruthlessly removing him the playing field. It was probably one of those things that would come back to bite me at some point, but I wasn't worried about that. I had changed the rules in an unexpected way, and even if it  ultimately worked to my disadvantage, it had given me the illusion of control, a franchise I was eager to expand.

I sent Raoul home too, in case I needed to commit any more atrocities. He had more of a conscience than I did in those days, which was a damn good thing, considering some of the powerful forces he had at his command. And he could turn only so many blind eyes to my excesses.

Next, I called Percy at home, to confirm that we were still "on" for the next morning. He seemed pleased to receive this confirmation-- so much so that he did not complain about the lateness of the hour. I smiled as I hung up the phone. The combination of liquor and sadistic mayhem had truly unleashed my diabolical creativity. I had a very clear and daring plan in mind-- God help us all. 

I checked in with Proofy and Gregor, who were busy pumping an odor-suppressing foam down into the elevator shaft that was-- so I believed at the time-- the final resting place of the noxious remnants of the insidious Doctor Almanac. Stymie had been put to bed earlier, and I spoke with Proofy about arrangements to return the lad safely to the bosom of his family once the current unpleasantness was settled.

Then I went up to my own bedchamber for a few hours' sleep, secure in the knowledge that I would soon bring this puzzling affair to a close-- or die in the attempt.

Either way, I wouldn't have to fret over it any longer...


...TO BE CONCLUDED...

Sunday, November 2, 2014

Pro Se Productions

INNOVATIVE GENRE FICTION AND NEW PULP PUBLISHER ESTABLISHES AGGRESSIVE MISSION AND SCHEDULE FOR 2015 FORWARD


Pro Se Productions, a publishing house based in Batesville, Arkansas, announced today plans for future projects and a more streamlined focus in its overall mission.

Established in 2010, Pro Se Productions entered into publishing focusing on a style of fiction that would come to be known by many as ‘New Pulp’.  Inspired by the usually fast paced, plot centric tales peopled with larger than life characters published in Pulp magazines of the early 20th Century, New Pulp as a style pays homage to classic Pulp, but also often brings a modern relevance as well as other aspects to new works.  Although not the first publisher focusing on New Pulp, Pro Se quickly established itself as a leader in the niche market that existed for stories of this type. 

Since its inception, Pro Se Productions has published over 150 individual titles, either in print, digitally, or both. Pro Se is known for publishing a variety of authors and artists, from previously unpublished creators to New York Times bestselling authors. The company has also established several different imprints, including author centered lines, an imprint focused on genre fiction for young readers, a nonfiction/academic imprint both studying New Pulp and offering facts and resource materials for fans and authors, and others.  One of Pro Se’s newest and strongest innovations has been the development of the Pro Se Single Shot and Pro Se Single Shot Signature lines, providing digital only short fiction – stand alone stories as well as series, serialized novels, and author focused imprints – for 99 cents each.

As a New Pulp publisher, Pro Se has thrown a wide net regarding the stories it accepts and publishes, carrying representatives of multiple genres in its catalog.  In doing this, Pro Se has become identified as a Publisher of Genre Fiction as well.

“Pro Se Productions,” says Tommy Hancock, Partner in and Editor in Chief of Pro Se, “is most definitely a publisher of New Pulp.  The company is also considered a Genre Fiction publisher as well.  The two terms aren’t mutually exclusive.   The bottom line and Pro Se’s mission from here on out is really simple.  We intend to publish quality Genre Fiction, the best of the best, and a fair share of what we publish will be action adventure oriented, regardless of genre, and will appeal to not only New Pulp fans hopefully, but classic Pulp fans, heroic fiction fans, and overall just fans in general.”

“Pro Se,” continues Hancock, “intends to take the type of works we publish, both past and future, not only to the audience we know exists for them, but to new fans, to markets most New Pulp or general Genre Fiction publishers have yet to tap.  We’ll be focusing on genre specific markets for the books that fit in them, but we also intend to introduce fan bases that didn’t know they already enjoyed the sort of work that writers and artists who create for Pro Se produce.  The diversity Pro Se already has in our library is a good platform from which to grow.  And that won’t simply be done just because we want it to be.   In the coming months, Pro Se will be experimenting with different ways of packaging current and future works as well as innovations in distribution and promotion.  We’ve spent the last four years building a company that we are proud of.  Now it’s time to show as much of the world as possible why they should be, as readers, a part of what Pro Se is doing.”

One major area of focus for Pro Se in the immediate future is the Pro Se Single Shot and Single Shot Signature lines.  “The thing,” says Hancock, “about getting what a company publishes into the hands of as many fans as possible is that it has to be accessible and affordable.  The Pro Se digital singles most definitely qualify in both ways and also feature some of the best writers in Genre Fiction today. We’ve also structured the lines in such a way that, within the next two months, we will be making several announcements related to various ways to access the Single Shots, potentially at even a better price than currently.  Much like classic Pulp magazines of the past, the Pro Se Single Shot lines have the potential to be the gateway for new fans into Genre Fiction and perhaps the strongest arm of Pro Se in the future.”

Pro Se Productions is committing to an aggressive schedule in 2015 and beyond.  Known for publishing up to four books or more a month in the last 18 months, Pro Se has no plans to slow down. The company is no longer taking unsolicited submissions until January 1, 2016.  The purpose of this is to focus on the myriad of works already scheduled for 2015, a lineup that is impressive, to say the least.

“To list everything,” says Hancock, “would take pages and pages.  We will be transparent in coming months, making multiple announcements about projects and events.  Pro Se Productions is proud to say, though, that we will be bringing fans not only the best authors we already publish, but new names as well. Some they may recognize, such as John Lutz, Robert Randisi, and Richard Lee Byers, and others may be new to them, like Charlotte Knox, Raymond Masters, and Spencer Loeb.  H. David Blalock will have a collection of short stories published by Pro Se Productions.  Author Paul Bishop is developing a new series of crime fiction and Pro Se is proud to be the home for it.  Van Allen Plexico will also have a much stronger and welcome presence with Pro Se in 2015 and beyond.  New Pulp concepts, like Derrick Ferguson’s Dillon, will receive the academic treatment in our PulpStudies imprint.”

“Pro Se will also continue to bring the best of classic fiction back in new stories, something that we have been doing already in our Pulp Obscura imprint. Beginning in 2015, Pro Se will have a new imprint focused on bringing classic public domain characters back to life in new stories as well as continuing to do so through Pulp Obscura.  Pro Se will also continue to work with companies like Heroic Publishing and creators like Barry Reese and Gary Phillips and publish licensed works for them as well as others to be announced later.”

“Most assuredly,” guarantees Hancock, “we will also continue to bring you the best authors in Genre Fiction, as we have been doing for four years.  More work from Nancy Hansen, Logan L. Masterson, Kevin Rodgers, Lee Houston, Jr., and other Pro Se stalwarts is definitely on the way.  Put simply, Pro Se Productions will continue to produce the best fiction in multiple genres from quality creators possible.”

For more information on this article or Pro Se in general, email Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com.  Like Pro Se on Facebook at www.facebook.com/ProSeProductions.


Thursday, October 9, 2014

A Confederacy of Devils Chapter Titles


PROLOGUE ONE

PROLOGUE TWO

CHAPTER ONE: COVERING THE WATERFRONT


CHAPTER TWO: FOUR BAD ENDS

CHAPTER THREE: PLANS

CHAPTER FOUR: THE CAGED PIRANHA


CHAPTER FIVE: THE HOT DOG MASSACRE


CHAPTER SIX: ETHICAL CONSIDERATIONS


CHAPTER SEVEN: MIRABELLE


CHAPTER EIGHT: A LATE ENCOUNTER WITH THE ENEMY


CHAPTER NINE: VARIOUS DIFFICULTIES


CHAPTER TEN: THE BIG UNEASY


CHAPTER ELEVEN: MIRABELLE MEETS THE WEREWOLF


CHAPTER TWELVE: UNDER THE WIRES


CHAPTER THIRTEEN: THE PHANTOM WHO CAME INTO THE COLD ROOM


CHAPTER FOURTEEN: STRIFE


CHAPTER FIFTEEN: WHAT'S INSIDE A GIRL?


CHAPTER SIXTEEN: A DISTINGUISHED VISITOR


CHAPTER SEVENTEEN: NIGHT OF THE BEAST


CHAPTER EIGHTEEN: UNDERCOVER


CHAPTER NINETEEN: OPPORTUNITY


CHAPTER TWENTY: A MEAN SONOFABITCH


CHAPTER TWENTY-ONE: JAILBREAK


CHAPTER TWENTY-TWO: THE KKK TOOK MY BABY AWAY


CHAPTER TWENTY-THREE: LIFE AND/OR DEATH AND/OR NONE OF THE ABOVE


CHAPTER TWENTY-FOUR: UNLOCKED


CHAPTER TWENTY-FIVE: EXPOSURE


CHAPTER TWENTY-SIX: A PLAGUE ON ALL YOUR HOUSES


CHAPTER TWENTY-SEVEN: FIENDS IN THE CITY ROOM


CHAPTER TWENTY-EIGHT: RESOLUTIONS


CHAPTER TWENTY-NINE: GLAD TO SEE YOU GO


CHAPTER THIRTY: THE SISTER AT MIDNIGHT


CHAPTER THIRTY-ONE: OF FISH AND FIRE


EPILOGUE ONE


EPILOGUE TWO



Buy all the words that come between them HERE:


Monday, September 29, 2014

The Bay Phantom is almost upon us

Mobile, Alabama, 1931.

Joe Perrone is a wealthy young man, heir to a commercial fishing fortune, whose parents and older brother were murdered by burglars. Mirabelle Darcy is his housekeeper.
They have secrets.

Joe has a darkness inside him, and it has led him to forge a strange path for himself. Joe puts on a mask and a cape at night and fights crime as the Bay Phantom. He has not donned the mask in three years, since his epic battle with the diabolical Doctor Piranha left him feeling uncertain about the condition of his own soul. But, after a period of wandering and reflection, he has returned. He does what he believes he must, fighting mobsters, killers, fiends,  a corrupt police force, and a city administration that does not want his help. He operates according to his own personal philosophy and moral code, and keeps his identity a secret so he can continue his work unimpeded.

Mirabelle is one of the nine smartest people in the world. Her IQ is virtually incalculable, and she has mastered a dozen different scientific disciplines on her own. She is also black, and she lives in a society deeply divided by segregation and oppression. To reveal her intellect and secret accomplishments would be to invite scorn, ostracism-- and, quite possibly, lethal violence. So she labors in secret.

Tull House, a 200-year-old former smuggler's den on the Mobile Bay is their home.
When a deadly struggle begins between the powerful, covertly criminal Carter family and an upstart named Hector Sams and his mysterious backers, Joe and Mirabelle find themselves in the middle of a hurricane of mystery and murder, and are locked into a deadly struggle of their own, against the horrific avatars of the two warring factions: The Werewolf and the Black Embalmer.

Even with the help of Doctor Sigmund Freud, can Joe and Mirabelle unravel the lies, secret associations, and conspiracies in a town where absolutely nothing is what it seems? Can they preserve the lives of innocent citizens caught up in the gang war, and their own lives as well? Will they live long enough to discover the most deeply-buried secrets of all-- the unremembered traumas that made them what they are?


Find out in "A Confederacy of Devils" by Chuck Miller, with art by Zachary Brunner, coming soon from Airship 27.

 http://www.airship27.com/

Thursday, September 4, 2014

OF MONSTERS AND MEN

NEW FROM MOONSTONE BOOKS!

INCLUDES "Zero Squared" by Chuck Miller!
 
Nine brand NEW tales of PULP HEROES vs MONSTERS!
The Green Lama, Richard Knight, Captain Future, Green Ghost, Moon Man, and more…
Battle demons and monstrosities from out of this world, by some of today's top talents!


In softcover AND hardcover, from Moonstone:

SC: http://moonstonebooks.com/shop/item.aspx?itemid=1066

HC:  http://moonstonebooks.com/shop/item.aspx?itemid=1067

BONUS: The special Hardcover edition features all the stories in the Soft Cover as well as 100 extra pages that reprint the previously published “Domino Lady vs Mummy”, “Black Bat vs Dracula”, and “Phantom Detective vs Frankenstein”!



Friday, August 29, 2014

PRO SE PRESENTS: THE SALE! 20 EBOOKS FOR 99 CENTS UNTIL SEPTEMBER 1!

KINDLE EDITION JUST 99 CENTS UNTIL SEPTEMBER 1!!!  

Vionna Valis and Mary Jane Kelly are a pair of hard working psychic detectives experiencing a run of bad luck. A new detective agency, the Femmes Fatales, is taking most of their business. Things seem to change for the better in the form of a new client named Scudder Moran, a wealthy young man with a unique problem; He has been targeted by the very, very late Professor James Moriarty—the Napoleon of Crime in another century, now Lord of the Vampires! Vionna and Mary find themselves in the middle of a case where everything is both improbable and impossible. How will they find their way to the truth? Unexpected help arrives in the ghostly person of the Great Detective himself, and they set about unraveling a tangled web of lies and secrecy that reaches deep into each of their lives. Can they find the light before Moriarty unleashes his final, most horrific scheme?

http://www.amazon.com/Vionna-Vampires-Moriarty-Lord-Book-ebook/dp/B00IXX9OB2/ref=la_B005WX2CKQ_1_6_title_0_main?s=books&ie=UTF8&qid=1409365508&sr=1-6

PRO SE PRESENTS: THE SALE!
20 EBOOKS FOR 99 CENTS UNTIL SEPTEMBER 1


Pro Se Productions, a leading Publisher of New Pulp and Genre Fiction, announces its first PRO SE PRESENTS: THE SALE! From August 29 through September 1st, 2014, select digital titles, regularly prices $2.99, will only be 99 Cents at www.Amazon.com



Thursday, March 27, 2014

REVISED CENTIPEDIA VOLUME ONE

More and more cast members are being added almost daily to the Black Centipede saga. Here is a handy guide to some of the major players in the world of the Black Centipede. I have divided them into three categories: Centipede Originals, Public Domain Characters and Historical Personages. This guide will very likely be updated periodically, now and then, once in a while, now and then, from time to time.

Some information has been lifted whole from Wikipedia, some from the private papers of the Black Centipede. Some of it I just made up. Artwork by Peter Cooper, Sean E. Ali, someone called Public Domain, and me.)

VISIT MY AMAZON AUTHOR PAGE FOR ALL THE BLACK CENTIPEDE PUBLICATIONS SO FAR: http://www.amazon.com/Chuck-Miller/e/B005WX2CKQ/ref=ntt_athr_dp_pel_1 


CENTIPEDE ORIGINALS

THE BLACK CENTIPEDE-- Surname unknown; first name is William. Crime fighter, enigma, snarky narrator, etc.


"Bloody" Mary Jane Gallows ("born" 1892) is the Black Centipede's dearest friend and arch-nemesis. Mary Jane is a tulpa (a thought construct given independent life) created by Lizzie Borden and Jack the Ripper. She is more amoral than outright evil, and has a great fondness for the Centipede, though her criminal antics sometimes pit her against him.

Detective Lieutenant Stanley Bartowski is the head of the City of Zenith police department's Unusual Crimes Division. He and the Centipede are almost friends, though Bartowski often looks askance at the masked man's use of violence against criminals. The two met during the strange affair of Doctor Almanac, an episode chronicled in Creeping Dawn: The Rise of the Black Centipede.

Percival J. Doiley-- A reporter for the Zenith Orator, a newspaper owned by William Randolph Hearst; also writes stories for the TALES OF THE BLACK CENTIPEDE monthly pulp magazine.



Woodrow Wilson Tannenbaum aka Baron Samedi (born April 1, 1903) is a notable African-American Voodoo practitioner and gangster. He was named in honor of Princeton University President (later U.S. President) Thomas Woodrow Wilson. Born into a show business family, Tannenbaum spent his early years on the vaudeville circuit. He became a major gang boss in the City of Zenith in the year 1933, in partnership with the bizarre criminal known as the Stiff.

 

JACOB RUSSELL MELCHOIR aka THE STIFF-- Once an Assistant District Attorney in Zenith, an attempt on his life by gangster Frenchy Donovan turned him into THE STIFF, bizarre new organized crime boss. Partner of BARON SAMEDI. (Creeping Dawn, Funeral for a Fiend)

 

Patience and Prudence (birth dates unknown) are an enigmatic pair of young women who worked for the Zenith crime lord known as the Stiff for several years in the 1930s and 40s. They appear to be identical twins, though one is black and the other white. Nothing is known of their origins. They were rescued by the Stiff and Baron Samedi from the despicable Doctor Almanac, who had subjected them to torture and mutilation in an effort (unsuccessful) to bend them to his will. ("Funeral For a Fiend") Patience and Prudence are the ultimate "fixers." They can do anything that is necessary to resolve any situation. It is unknown whether or not they possess any occult or psychic powers. Both girls are mute, having had their tongues cut out by Doctor Almanac.

JUDITH DeCORTEZ-- Former enforcer with the Frenchy Donovan mob; now a freelance thorn in the side of law enforcement; has lost three body parts (so far) in battles with the BLACK CENTIPEDE.

THE REVEREND DOCTOR THEOBALD SCHADELHAUS-- Criminal madman, extortionist; head of the Church of the Immaculate Contagion, a group that venerates or worships disease-causing organisms, germs and viruses. ("The Plague's the Thing")

DOCTOR MAURICE T. ALMANAC-- Former psychiatrist transformed into criminal mastermind by BLOODY MARY JANE; was briefly the ruthless czar of organized crime in Zenith. (Creeping Dawn)

ANONYMOUSHKA-- A faceless Russian assassin with a mysterious past. Possibly schizophrenic. Though she regards the Black Centipede with some distaste, she is convinced that she will one day marry him. ("The Return of Doctor Reverso,"  Black Centipede Confidential)

THE BLUE CANDIRU-- A mysterious and not very adept crime fighter; identity unknown; first met the BLACK CENTIPEDE in Hollywood in 1933. (Blood of the Centipede)

SERGEANT RAYMOND DAVIES-- Member of the Zenith PD; the BLACK CENTIPEDE'S personal nemesis. He really doesn't know who he's fucking with.
 

RAOUL DEVEREAUX UNKNOWN aka DOCTOR UNKNOWN-- Failed stage magician, incredibly powerful genuine sorcerer, successful Certified Public Accountant. Lends the CENTIPEDE a hand now and again. Father of Doctor Dana Marie Laveau Unknown aka DOCTOR UNKNOWN JUNIOR.


ADRIAN COUNTENANCE-- A particularly vile super-criminal who will be making his first appearance in the Centipede chronicles next year.


THE BLACK CENTIPEDE EATER-- Freakish minion of Jack the Ripper and the White Centipede. She spent much of the novel Blood of the Centipede attempting to make a meal out of the Black Centipede.

THE WHITE CENTIPEDE is perhaps the Black Centipede's most enigmatic foe. Doctor Unknown Senior recently gave a private lecture on the White Centipede to representatives of several law-enforcement agencies. Here are some excerpts:

 "The White Centipede  has a connection to the near-mythical Order of the Centipede. Very little is known about the original organization. They were notoriously secretive and left nothing in the way of records. What is known-- or assumed-- is that the Order was subverted by Jack the Ripper in the 19th Century, and subsequently split into two different factions. The leader of the original Order was the White Centipede, a title and position that was passed down from one White Centipede to another by some unknown process. The Ripper enslaved the reigning White Centipede, and kept her alive until he could create and groom his own successor, who would be under his complete domination.

"This White Centipede was a composite being. That is, the Ripper somehow fused two living organisms into one. One of these was the infamous Grigori Yefimovich Rasputin, the so-called "Mad Monk," who wielded such disastrous influence over Tsar Nicholas II, through the Tsarina Alexandra. Early in 1917, Rasputin-- who was believed to have been assassinated in St. Petersburg in December of 1916-- arrived in the United States. Nothing is known of his activities for the next several years. Certain rumors suggest that he hired himself out as an enforcer and tactician to a number of organized criminal organizations in New York and Zenith. This was part of the training the Ripper required of him.

"But Rasputin comprised only half of this creature that would become the new White Centipede. The other half was... a colossal enigma. Here, rumor veers off into the wildest speculation-- if not outright delirium. This being, so the stories go, arrived in earth in 1897, having traveled here in an extraordinary vehicle-- from another planet. The Ripper had made contact with this being-- whether by scientific or sorcerous means, no one is prepared to say-- and had made what must have been an extraordinarily attractive proposition.

"This creature-- I'll assign it the male pronoun for the sake of convenience, though nothing is known of its gender-- crashed his vehicle into a windmill in a small Texas town, and was presumed dead by the dumbfounded earthlings who found him. In fact, he had only become dormant from the shock of the collision, and the Ripper was on the scene later that day. Posing as a doctor working for the office of the Governor of Texas, the Ripper declared the creature dead and allowed him to be buried in the local cemetery.

"There the comatose being lay until 1903, until he was exhumed by Rasputin. Presumably, whatever abominable process fused the two together took place shortly after that. In appearance, the new organism was indistinguishable from the 'old' Rasputin. When it was stable, it returned to Russia, and Grigori Yefimovich Rasputin strutted and fretted his catastrophic hour upon the stage of world history. By late 1916, the work the Ripper had assigned him was done. His apparent murder and clandestine emigration followed, and Rasputin and 'friend' were free to assume the mantle of the new White Centipede when the time came."


CARLTON "SPUDS" DIETRICH served two terms as mayor of the city of Zenith during the 1930s. He was every bit as corrupt as he was inept, making him the preferred candidate among the movers and shakers in the city's criminal underworld. Dietrich was first elected in 1931, shortly after his release from Winnemac State Prison, where he had served a three-year term for fraud and price fixing while he was a member of the city council. Most observers attributed Dietrich's victory to the unique touch of his campaign manager, Frenchy Donovan. One of Zenith's most prominent racketeers, Donovan took time off from his duties in order to work full-time for the candidate. During a press conference held to kick off Dietrich's campaign, Donovan announced that he had "found the Lord," and was "turning over a new leaf." 

Interestingly, Dietrich received 104 percent of the popular vote. When confronted by the press after it was learned that many of the voters listed in the rolls had in fact passed away weeks or months prior to the election, Donovan made reference to the Biblical miracle of Lazarus and thanked the Lord for His good work.


Dietrich's opponent, Morton Beltrane, demanded a recount and vowed to take his case all the way to the Supreme Court if necessary. He was on his way to the federal courthouse to file the paperwork when he was accidentally run over by an unidentified man driving a car with no license plates. Four times. One of Dietrich's first acts upon taking office was to officially designate February 9 - 15, 1931, as "Beltrane Memorial Automobile Safety Awareness Week."




PUBLIC DOMAIN CHARACTERS


 

SHERLOCK HOLMES-- Needs no introduction; has had dealings before and after death with the BLACK CENTIPEDE and VIONNA VALIS & MARY JANE KELLY. (Black Centipede Confidential, Vionna and the Vampires)

PROFESSOR JAMES MORIARTY
--
The Napoleon of Crime. In 1908 he became Lord of the Undead after killing DRACULA. In 1933, Moriarty launched a rather puzzling attack against the city of Zenith, with the help of a super-criminal task force known as THE ORDER OF THE SUNLESS CIRCLE. 

 
Members of the Circle included Bonnie Parker, Clyde Barrow, Charles Arthur "Pretty Boy" Floyd, John Dillinger, Kate "Ma" Barker, Max Schreck, Dr. Herbert West, Zelda Fitzgerald, Dr. Hawley Crippen, Mary Jane Gallows, Judith DeCortez, Stagger Lee, the Loch Ness Monster, and the Bell Witch. (Black Centipede Confidential)


 
GREGOR SAMSA-- Protagonist of "The Metamorphosis" by Franz Kafka. A man who woke up one morning to find he had turned into a giant bug. Part of the BLACK CENTIPEDE'S support staff at the Benway Building.


J. ALFRED PRUFROCK--
Subject of the poem "The Love Song of J. Alfred Prufrock" by T.S. Eliot. A man uncertain about everything. Part of the BLACK CENTIPEDE'S support staff at the Benway Building.


"As an office manager," the Centipede said, "Prufrock was politic, cautious, and meticulous. On a personal level, he was deferential and glad to be of use, though I was endeavoring to beat that out of him. He was trying hard to have what we would now call a midlife crisis, but he was having some trouble getting it off the ground. I badgered and baited him, trying to find or make a crack through which the inner man could emerge. Of course, there was the horrible possibility that he already had, and this was it." (Black Centipede Confidential)



HISTORICAL PERSONAGES

 William Randolph Hearst (1863-1951) -- Business magnate and leading newspaper publisher. Hearst entered the publishing business in 1887, after taking control of The San Francisco Examiner from his father. Hearst is credited with the creation of yellow journalism — sensationalized stories of dubious veracity. He created a chain that numbered nearly 30 papers in major American cities at its peak. He later expanded to magazines, creating the largest newspaper and magazine business in the world. Hearst was responsible for the BLACK CENTIPEDE'S public apotheosis from wanted lunatic to beloved national hero; personally despises the CENTIPEDE, a feeling that is mutual.




Amelia Mary Earhart (July 24, 1897 – disappeared 1937) was a noted American aviation pioneer and author. Earhart was the first woman to receive the U.S. Distinguished Flying Cross,awarded for becoming the first aviatrix to fly solo across the Atlantic Ocean. She was also a member of the National Woman's Party, and an early supporter of the Equal Rights Amendment. In 1933, Earhart formed a friendship and informal partnership with the Black Centipede (Blood of the Centipede). She was one of the very few people that the Centipede trusted and respected without any reservations.


Howard Phillips Lovecraft (August 20, 1890 – March 15, 1937) — known as H. P. Lovecraft — was an American author of horror, fantasy and science fiction, especially the subgenre known as weird fiction. In the 1920s, Lovecraft became friends with the teenage boy would later become the Black Centipede.


Frank Nitti (January 27, 1886 – March 19, 1943), also known as "The Enforcer," was an Italian American gangster. One of Al Capone's top henchmen, Nitti was in charge of all strong-arm and 'muscle' operations. Nitti was later the front-man for the Chicago Outfit, the organized crime syndicate headed by Capone. Nitti owes the Centipede big, and he pays off in various ways.



 Lizzie Andrew Borden (July 19, 1860 – June 1, 1927)-- Accused ax murderess; his 1927 encounter with Lizzie transformed young William --------- into the BLACK CENTIPEDE. (Creeping Dawn)
was tried and acquitted in the 1892 axe murders of her father and stepmother in Fall River, Massachusetts. The case was a cause célèbre throughout the United States. Following her release from the prison in which she had been held during the trial, Borden chose to remain a resident of Fall River, Massachusetts, for the rest of her life, despite facing significant ostracism. The Commonwealth of Massachusetts elected to charge no one else with the murder of Andrew and Abby Borden.

The following passages are excerpted from the private journals of the Black Centipede. Since his meeting Lizzie was one of the watershed incidents in his life, we present his recollections in their entirety:

 By the time [my family and I] moved to Fall River, the crime of and for which Lizzie Andrew Borden had been accused, tried, and acquitted, was already decades in the past. As for having been forgotten, though, it was as far from it then as it is now. Lizzie’s awful fame had spread around the world, beginning with its sanguinary genesis on August 4, 1892, and had continued to grow with each passing year. It was not something that would ever be forgotten, even amidst the glut of bloody sensations—including a brutal world war—that rose with increasing regularity as the Twentieth Century gathered speed.

What the world would not forget, Fall River could not. Lizzie was the town’s most famous daughter by far, and on her rested its chief claim to fame. Had she been as well-known for achievements in any field other than murder, her name would have graced every bit of promotional literature put out by the chamber of commerce. In fact, though, Fall River made a cottage industry out of trying to ignore the blood-drenched ax-murderess sitting in the middle of the metaphorical living room. After her acquittal, Lizzie remained in Fall River. She and her sister moved into a newer and much grander house than the one in which her father and stepmother had been done to death.

This was in a day when people gave names to their houses. Lizzie’s was called Maplecroft, a name that was elegantly meaningless. It was right smack in one of the more upscale neighborhoods. Lizzie, it seems, chose to very ostentatiously NOT drift into quiet exile and obscurity, as the town of Fall River so devoutly wished she would.

My family lived a couple of blocks from Maplecroft, and I passed the place almost every day. I caught the occasional glimpse of Lizzie. 


 I was out much too late one evening, as was my wont, having snuck out of the house to pursue adventures of which my parents would take the dimmest view imaginable. On my way back home, I cut through a series of backyards. I didn’t want to be spotted going down the street by some do-gooder who might inform my parents. When I got to Maplecroft, Lizzie was sitting there alone on her back steps, eating a pear. I didn't see her until I passed no more than two feet in front of her. When I did, I yelped a little because it gave me a turn. I had imagined the yard would be deserted at this hour of the morning. But not only wasn't it deserted, it was populated by Lizzie Borden herself.

She looked up at me with an expression on her face that might have reflected a remarkable serenity or a deeply-rooted mental illness or nothing at all. She didn't yelp, didn't jump, didn't seem all that concerned. I stopped dead and began trying to muster a hasty excuse/apology. Before anything could assemble itself, she spoke.

“Hello,” she said calmly. It was plain that I was the only one who had been startled.

“Ah,” I said. “Good evening, uh, Miss… I didn’t… I was just…”

Lizzie Borden cut right through the tangle. “You know who I am?” she said.

“Of course.”

“You aren’t afraid?”

“Do I have any reason to be?”

There was a silence following that, one which I very strangely did not find the least bit uncomfortable. I had seldom been taken quite as off guard as I was that night. And when I had been, I had never recovered from it as quickly as I did then. Curious.

“I told the truth,” she said, ignoring my question, or oblivious to it. “At the trial. Everything I said was true.”

“Apparently someone believed you,” I said, as though this were the continuation of a conversation we’d been having earlier. I had the oddest feeling that it was. “You were acquitted.”

“I was,” she agreed, nodding. “The right people believed me.”

“And those who didn’t were wrong?”

She sighed. “Not entirely,” she said. “Not altogether. There was no way they could have known.”

“Known what?”

“The truth.”

“Which is what?”

“What really happened.”

In retrospect, this exchange takes on the flavor of an Abbot and Costello routine. Memory allows for these amusing anachronisms. At the time, I didn’t see much humor in it.

Even though I knew better, I went ahead and asked, “And what really happened?”

“What I said happened.” We had circled around the thing, and arrived back at square one. Not caring for the idea of further circumnavigation, I decided to get off the train.

“Miss Borden, I’m sorry I disturbed you. I won’t do it again.”

“Hm? Oh, no. I’m not sorry you disturbed me. I have too few disturbances these days. I feel their absence very deeply. You seem an unusual young man. Might I ask your name?”

“Bill,” I said, feeling no inclination to lie. “William. They call me Bill.”

“That’s very good, Bill. I like that. And you must call me Lizzie.”

“Thank you,” I said sincerely. I found that I wanted very much to call her Lizzie. The bizarre fact was, I found her powerfully attractive. This was odd for several reasons, some of which dare not speak their names. As for the ones that do, chief among them was the fact that she was a bit long in the tooth to inspire lust in a boy my age, even if he were inclined that way. Another one was, of course, that she was Lizzie Borden. A monster. A creature of bloody legend, her name synonymous with murder of the very foulest sort.

Curiously, though, I realized that this didn’t bother me at all.

Were I a different sort of person, and were this a different sort of story, I might say something to the effect that what I saw before me was not the larger-than-life vampire of legend, but a very real human woman, much like any other. But that was not the case. I saw the monster, if that's what it was. I saw something rare and frightening and compelling, something people aren't supposed to have. I didn't flinch. Had she appeared ordinary, I would have been gone almost as soon as I had arrived.

She stood up and looked into my eyes. Her own eyes were of an incredibly pale blue, luminous and fey, and seemed to me to contain things that had no names and could not be imagined.

“Well, Bill, I must go back inside now. I am pleased that you dropped by, and I want you to call on me again, at any hour you care to. Will you do that, Bill?”

“Yes, Lizzie. I will do that.”

She smiled, turned, and started up the steps. On the third one she stopped, turned back around, and came back down. She reached up, placed the palms of her hands on my cheeks, stood on tiptoe and kissed me. It was a very brief kiss, cool and dry. Even so, I felt as though my insides would dissolve and run out of my body through my nether parts. She smiled at me again, said “Good morning, then,” turned back around, and went inside.

“Good morning, Lizzie,” I whispered, after she had disappeared into the house.


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Roscoe Conkling "Fatty" Arbuckle (March 24, 1887 – June 29, 1933)-- Disgraced silent film comedian; between November 1921 and April 1922, Arbuckle endured three widely publicized trials for the rape and manslaughter of actress Virginia Rappe. Rappe had fallen ill at a party hosted by Arbuckle at the St. Francis Hotel in San Francisco in September 1921; she died four days later. Arbuckle was accused by Rappe's acquaintance of raping and accidentally killing Rappe. After the first two trials, which resulted in hung juries, Arbuckle was acquitted in the third trial and received a formal written apology from the jury. Shortly before his death, Arbuckle directed the 1933 feature film "Blood of the Centipede." The CENTIPEDE once lent him a hand, for all the good it did. (Blood of the Centipede)


Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age, a term he coined. He is widely regarded as one of the greatest American writers of the 20th century. THE BLACK CENTIPEDE once helped Fitzgerald solve a domestic dispute. (Black Centipede Confidential)


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