Tuesday, November 18, 2014

Other reviews and links to the books of which the reviews are of them (the books)


5.0 out of 5 stars Black Centipede's Back !, April 14, 2013
By Raven "Raven"

I found this volume of the Black Centipede fascinating, with its mixture of the occult and the simply criminal. The Centipede is called to Hollywood to consult on a movie featuring one of his pulp magazines. With him, as a special envoy from President FDR, travels Amelia Erhart, who proves to be handy in a tussle, plus helping the Centipede rein in some of his kill lust. She also has a secret that will be crucial to stopping Jack the Ripper, if only for a time.

But I want to share something I found to be fascinating. The Centipede is dreaming of a court case with twelve jurors. Each person rises and says something unusual. It was awesome to see how Chuck Miller used verbal tapestry to allow one to identify each as a suspect in the unsolved Jack the Ripper case. He names one of them but even without that, what the person says would allow most readers to recognize the individual, although they might NOT have known this person was even a suspect.

The book is a wild roller-coaster ride with some of the usual suspects from the first book, Rise of the Black Centipede, such as Bloody Mary Jane Gallows and Lizzie Borden, along with Baron Samedi and Jack the Ripper. It also introduces a fearsome female who calls herself The Black Centipede Eater, and the very mysterious White Centipede. If you love pulp fiction, you'll love this book!

The part that deals with Jack the Ripper raises yet another genuine suspect, although exactly who or what the Ripper truly is may leave you still wondering by book's end. This is far from a bad thin since there are hints that perhaps the Ripper is still not truly gone. The discovery of just who is the Black Centipede Eater is also worth the read. Then there is the White Centipede, a conglomeration between a real person infamous for madness and drunk with power, and an undisclosed Symbiote from a burial ground. Miller also ties this volume in with other characters of his creation, such as Dr. Unknown, Jr..

Well worth reading, highly enjoyable.

Quoth the Raven...
The Pop Virtuoso of Psychedelic Pulp Strikes Again! April 23, 2014
By Josh Reynolds

Entertaining and unique, written with the sort of tongue-in-cheek humor I've come to expect of Miller's writing. There's plenty to enjoy here for fans of occult detective fiction, Sherlock Holmes, Dracula, steampunk and comic books, all mashed up together in one quirky, slightly psychedelic package.

Plus, Moriarty hits Dracula with an asteroid. How can you not love that? 

5.0 out of 5 stars An injection of originality May 20, 2014
By Percival Constantine
To be honest, I'm not a fan of the masked vigilante in the pre-WW2 era. There have been a number of them, and with each iteration, it seems like there is less effort going into them. So it was a wonderful change of pace to be introduced to the Black Centipede.

Chuck Miller's mind clearly has as many thoughts as a centipede has legs, because you can see the roots for an endless series of stories embedded within the lines of this one book. Not only that, but he's continuously planting the seeds for even more stories of the Black Centipede's adventures throughout social media. He manages to weave together important historical figures into this captivating pulp tale with such ease that you might find yourself double-checking their Wikipedia entries to see what is real and what's not.

I've already picked up a copy of the second book in the series, Blood of the Centipede, and I'm looking forward to cracking it open. 


Tuesday, November 11, 2014



After the two strange young women vanished, I sank into a near-torpor. This current adventure was beginning to get on my nerves. There were plot threads all over the place, and we seemed to be getting further and further from any sort of resolution. I had started hoping that Bloody Mary Jane would pop up out of nowhere and tie the whole thing up neatly, as was her custom, but I knew how unrealistic it was. Anyhow, there were too many characters in the damn thing already. My dear deus ex machina would likely just get lost in the shuffle.

No, if this mess were ever to be brought to an end, I would have to take strong unilateral action.

The first thing I would need to do would be to finish off the entire bottle of whiskey. This I did, in record time. Thus fortified, I made my rather unsteady but absolutely determined way back down to my nerve center.

"Are you all right?" Anonymoushka asked. "You seem a bit wobbly."

"I am absolutely shitfaced," I said with my customary forthrightness. "And it's time to start cleaning house. That process starts with you, my fine faceless filly. I want you to vacate these premises immediately, if not sooner. You are nothing but a distraction, a pointless plot device whose purpose is beyond my ability to imagine."

"Ah!" she exclaimed brightly. "So sweet reason finally dawns in your excuse for a mind! Delightful! Show our lazy and capricious god that you will tolerate no more of his random string-pulling! It is wonderful to see you behaving like a man instead of a sickly gerbil of ill repute! Storm the fourth wall, my preposterous knight erroneous, and show the bastards that they won't have the Black Centipede to kick around any more!"

I grabbed her by an elbow and pointed her toward the door. "Be on your way," I said, "and don't come back until your presence makes some kind of sense."

"Absolutely! I do have a rather major role in Black Centipede Confidential, and a bit of recreation now would not come amiss. See you between the covers! Of the book, I mean..."


She went. I can be very masterful when intoxicated. I turned to Doctor Unknown.

"Is Almanac still at the bottom of the elevator shaft?" I demanded.

"Yes, he is," was the reply. "I think he may be waking up."

"Then he's going to wish he hadn't. Tell me, Raoul, what do you think the net effect would be if someone were to dump roughly 80 gallons of sulfuric acid down onto him?"

"Sweet Hecate," he said, going a bit pale. "I think the effect would be exactly what you'd expect. I don't believe there would be very much left."

I nodded. "I knew that stuff would come in handy one day. I realize you have certain notions about the intentional infliction of suffering and cruelty to even the most vile and obnoxious specimens of animal life, so please just forget I ever asked. I do believe that if I were to twist their arms sufficiently, Patience and Prudence could be persuaded to help me with such a project."

Broad grins appeared on the faces of both girls. This wasn't going to be a hard sell. They had absolutely no love for Doctor Almanac, who had, among other things, ordered the brutal removal of both of their tongues. By allowing them to actually do the deed, I would make lifelong friends of two people whose enemy I would never, ever want to be.

"What do you think?" I said to them. "Can you force yourselves to assist in this heinous operation? For the greater good, of course."

They jumped up and down and clapped their hands. Since the girls were usually the very definition of taciturnity, it was rather like seeing the late Calvin Coolidge strip to his boxers and perform a Cossack dance in the middle of Times Square.

Unknown cleared his throat. "Yes, well, I'm just going to go over here and sort of, ah, pretend that, you know... I don't know anything about this."

And so it came to pass that Patience and Prudence, with minimal assistance from me, committed a truly dreadful act against a truly deserving target. I'll spare you the details, to which I could not do justice anyhow. (Of course, like any villain worth his salt, Almanac managed to survive his ghastly immolation, but I wouldn't learn of that for several more months. As far as we were concerned that day, it was good riddance.) The girls actually kissed me on my masked cheeks after it was accomplished. Perhaps they also silently pledged their fealty to me, so long as my interests did not conflict with those of their boss, the Stiff. Or perhaps they didn't.

They probably didn't. But they were happy. I sent them home in a state of pure homicidal bliss.

I was whittling it down. But I still had Stymie Beard, Percival Doiley, Crusher Cranium, Mag DeMilby, and probably one or two other players whose identities were unknown to me on my plate. Someone had been using Doctor Almanac to get at me, but I had thrown a monkey wrench into their plans by ruthlessly removing him the playing field. It was probably one of those things that would come back to bite me at some point, but I wasn't worried about that. I had changed the rules in an unexpected way, and even if it  ultimately worked to my disadvantage, it had given me the illusion of control, a franchise I was eager to expand.

I sent Raoul home too, in case I needed to commit any more atrocities. He had more of a conscience than I did in those days, which was a damn good thing, considering some of the powerful forces he had at his command. And he could turn only so many blind eyes to my excesses.

Next, I called Percy at home, to confirm that we were still "on" for the next morning. He seemed pleased to receive this confirmation-- so much so that he did not complain about the lateness of the hour. I smiled as I hung up the phone. The combination of liquor and sadistic mayhem had truly unleashed my diabolical creativity. I had a very clear and daring plan in mind-- God help us all. 

I checked in with Proofy and Gregor, who were busy pumping an odor-suppressing foam down into the elevator shaft that was-- so I believed at the time-- the final resting place of the noxious remnants of the insidious Doctor Almanac. Stymie had been put to bed earlier, and I spoke with Proofy about arrangements to return the lad safely to the bosom of his family once the current unpleasantness was settled.

Then I went up to my own bedchamber for a few hours' sleep, secure in the knowledge that I would soon bring this puzzling affair to a close-- or die in the attempt.

Either way, I wouldn't have to fret over it any longer...


Wednesday, November 5, 2014


What the reviewers have to say about THE JOURNAL OF BLOODY MARY JANE by Chuck Miller. Check it out-- just 99 cents!

5.0 out of 5 stars 
Like no other science fiction/fantasy writer today!
By N. Dewolfe

"Chuck Miller always serves up a wild ride! Enjoyed it immensely."

5.0 out of 5 stars Anxiously waiting for more
By Stephen P. Allen

"A great beginning. Can't wait for the next installment. Very good writing and story makes you crave more."


 Introductory Remarks by Mary Jane Gallows

Those who have read the first volume of the memoirs of the Black Centipede, the rather grandiosely-titled Creeping Dawn: The Rise of the Black Centipede, may think you know quite a bit about me. You do not. Nobody knows the secrets entombed in the yellowing pages of my journals-- not even my darling William, whom I have known in every conceivable sense of the word for almost 90 years now.

There was a time when I thought I wanted to be like you. I knew so little of myself at the beginning of my journey in 1892. I killed Lizzie's father and stepmother, just as she wanted me to. I couldn't be blamed for that. I was only doing what I was created to do.

Once that was accomplished, I took it into my head that I wanted to be human. I cannot imagine now why that seemed such an attractive prospect. We are foolish when we are young.

My father had gone by the time I completed my mission. I did not know that I would ever see him again, and I sensed that Lizzie would have no further truck with me. I was alone and thought myself free.

I thought I wanted what I thought everyone else had. I didn't know why I wanted this, any more than you do. And, like you, I didn't question it. Not for a very long time. It took years and years for the flesh of the illusory world to rot and drop away and reveal the bare bones of the lies that are the foundations of this world.

But back then, in 1892, I was not wise. I believed all manner of foolishness. I knew nothing of the portentous events taking place all over the globe, events in which I was already deeply involved. It would be many years before I met the one who would give my life shape and purpose and help me to learn the truth about myself. He would not be born for another 18 years, and it would be 17 more before we would come together for the first time.

I was alone and I feared that I would always be so.

But, really, in the end-- aren't we all?

Mary Jane Gallows
Black Kettle National Grassland, Oklahoma
April, 2014

 1.0 out of 5 stars 
This is a book of horrible, repulsive story
November 15, 2014

"Not enjoyable story. This is a book of horrible, repulsive story. Author has written excess amount of murder and blood. It can be causes of unwanted incidents. So, I suggest avoiding this book."


Sunday, November 2, 2014

Pro Se Productions


Pro Se Productions, a publishing house based in Batesville, Arkansas, announced today plans for future projects and a more streamlined focus in its overall mission.

Established in 2010, Pro Se Productions entered into publishing focusing on a style of fiction that would come to be known by many as ‘New Pulp’.  Inspired by the usually fast paced, plot centric tales peopled with larger than life characters published in Pulp magazines of the early 20th Century, New Pulp as a style pays homage to classic Pulp, but also often brings a modern relevance as well as other aspects to new works.  Although not the first publisher focusing on New Pulp, Pro Se quickly established itself as a leader in the niche market that existed for stories of this type. 

Since its inception, Pro Se Productions has published over 150 individual titles, either in print, digitally, or both. Pro Se is known for publishing a variety of authors and artists, from previously unpublished creators to New York Times bestselling authors. The company has also established several different imprints, including author centered lines, an imprint focused on genre fiction for young readers, a nonfiction/academic imprint both studying New Pulp and offering facts and resource materials for fans and authors, and others.  One of Pro Se’s newest and strongest innovations has been the development of the Pro Se Single Shot and Pro Se Single Shot Signature lines, providing digital only short fiction – stand alone stories as well as series, serialized novels, and author focused imprints – for 99 cents each.

As a New Pulp publisher, Pro Se has thrown a wide net regarding the stories it accepts and publishes, carrying representatives of multiple genres in its catalog.  In doing this, Pro Se has become identified as a Publisher of Genre Fiction as well.

“Pro Se Productions,” says Tommy Hancock, Partner in and Editor in Chief of Pro Se, “is most definitely a publisher of New Pulp.  The company is also considered a Genre Fiction publisher as well.  The two terms aren’t mutually exclusive.   The bottom line and Pro Se’s mission from here on out is really simple.  We intend to publish quality Genre Fiction, the best of the best, and a fair share of what we publish will be action adventure oriented, regardless of genre, and will appeal to not only New Pulp fans hopefully, but classic Pulp fans, heroic fiction fans, and overall just fans in general.”

“Pro Se,” continues Hancock, “intends to take the type of works we publish, both past and future, not only to the audience we know exists for them, but to new fans, to markets most New Pulp or general Genre Fiction publishers have yet to tap.  We’ll be focusing on genre specific markets for the books that fit in them, but we also intend to introduce fan bases that didn’t know they already enjoyed the sort of work that writers and artists who create for Pro Se produce.  The diversity Pro Se already has in our library is a good platform from which to grow.  And that won’t simply be done just because we want it to be.   In the coming months, Pro Se will be experimenting with different ways of packaging current and future works as well as innovations in distribution and promotion.  We’ve spent the last four years building a company that we are proud of.  Now it’s time to show as much of the world as possible why they should be, as readers, a part of what Pro Se is doing.”

One major area of focus for Pro Se in the immediate future is the Pro Se Single Shot and Single Shot Signature lines.  “The thing,” says Hancock, “about getting what a company publishes into the hands of as many fans as possible is that it has to be accessible and affordable.  The Pro Se digital singles most definitely qualify in both ways and also feature some of the best writers in Genre Fiction today. We’ve also structured the lines in such a way that, within the next two months, we will be making several announcements related to various ways to access the Single Shots, potentially at even a better price than currently.  Much like classic Pulp magazines of the past, the Pro Se Single Shot lines have the potential to be the gateway for new fans into Genre Fiction and perhaps the strongest arm of Pro Se in the future.”

Pro Se Productions is committing to an aggressive schedule in 2015 and beyond.  Known for publishing up to four books or more a month in the last 18 months, Pro Se has no plans to slow down. The company is no longer taking unsolicited submissions until January 1, 2016.  The purpose of this is to focus on the myriad of works already scheduled for 2015, a lineup that is impressive, to say the least.

“To list everything,” says Hancock, “would take pages and pages.  We will be transparent in coming months, making multiple announcements about projects and events.  Pro Se Productions is proud to say, though, that we will be bringing fans not only the best authors we already publish, but new names as well. Some they may recognize, such as John Lutz, Robert Randisi, and Richard Lee Byers, and others may be new to them, like Charlotte Knox, Raymond Masters, and Spencer Loeb.  H. David Blalock will have a collection of short stories published by Pro Se Productions.  Author Paul Bishop is developing a new series of crime fiction and Pro Se is proud to be the home for it.  Van Allen Plexico will also have a much stronger and welcome presence with Pro Se in 2015 and beyond.  New Pulp concepts, like Derrick Ferguson’s Dillon, will receive the academic treatment in our PulpStudies imprint.”

“Pro Se will also continue to bring the best of classic fiction back in new stories, something that we have been doing already in our Pulp Obscura imprint. Beginning in 2015, Pro Se will have a new imprint focused on bringing classic public domain characters back to life in new stories as well as continuing to do so through Pulp Obscura.  Pro Se will also continue to work with companies like Heroic Publishing and creators like Barry Reese and Gary Phillips and publish licensed works for them as well as others to be announced later.”

“Most assuredly,” guarantees Hancock, “we will also continue to bring you the best authors in Genre Fiction, as we have been doing for four years.  More work from Nancy Hansen, Logan L. Masterson, Kevin Rodgers, Lee Houston, Jr., and other Pro Se stalwarts is definitely on the way.  Put simply, Pro Se Productions will continue to produce the best fiction in multiple genres from quality creators possible.”

For more information on this article or Pro Se in general, email Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com.  Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Thursday, October 9, 2014

A Confederacy of Devils Chapter Titles




































Buy all the words that come between them HERE:

Tuesday, October 7, 2014

The Bay Phantom IS upon us! From Airship 27-- Createspace and Amazon


A Confederacy of Devils
 Airship 27 Production announces the release Chuck Miller’s newest pulp thriller, The Bay Phantom – Confederacy of Devils.

Mobile Alabama in the early 1920s is a hot-house of history, tradition, political corruption and racial bigotry.  Amidst this landscape of both grandeur and depravity arises a new avenger to battle the forces of evil and injustice.  He is the mysterious Bay Phantom, a dark clad warrior willing to mete out justice with his blazing .45s.  But beneath this flamboyant mask is the often inept, naïve Joseph Perrone, heir to a commercial fisheries empire.

Perrone’s one amazing asset is his partner, the beautiful Mirabelle Darcy, a young black woman with the ninth highest I.Q. in the world.  An engineering genius, it is Mirabelle who provides Perrone with the guidance to see him through the deadly and macabre challenges that await them.  A secret Crime Lord is attempting to take over the city and has unleashed a blood-thirsty Werewolf and a bizarre assassin known as the Black Embalmer to carry out his insidious plans.

Now it is up to Mirabelle and the Bay Phantom to save their city with the help of an Austrian doctor named Sigmund Freud.  And that’s only the beginning!

“Chuck Miller possesses one of the most unique literary voices in New Pulp today,” declaires Airship 27 Productions’ Managing Editor, Ron Fortier.  “I defy anyone to show me something he has written that is not original, quirky and just plain weird in a totally fun kind of way.”

Miller was born in Ohio, lived in Alabama for many years, and now resides in Norman, Oklahoma. His interests include monster movies, comic books, music and writing. He holds a BA in creative writing from the University of South Alabama.  Miller received the BEST NEW WRITER OF 2011 Award from Pulp Ark. His first novel, the critically acclaimed "Creeping Dawn: The Rise of the Black Centipede" was published in 2011. He is currently working on a new Sherlock Holmes novel for Airship 27.

Art for The Bay Phantom – Confederacy was provided by Zachary Brunner, both moody interior illustrations and the stunning painted cover.  The book was designed by Art Director Rob Davis.

Says bestselling adventure fantasy author, Charles Saunders, “Move over Shadow – there’s a new cloak on the block.”

Now available in hard copy…

 and on Kindle from Amazon.


Monday, September 29, 2014

The Bay Phantom is almost upon us

Mobile, Alabama, 1931.

Joe Perrone is a wealthy young man, heir to a commercial fishing fortune, whose parents and older brother were murdered by burglars. Mirabelle Darcy is his housekeeper.
They have secrets.

Joe has a darkness inside him, and it has led him to forge a strange path for himself. Joe puts on a mask and a cape at night and fights crime as the Bay Phantom. He has not donned the mask in three years, since his epic battle with the diabolical Doctor Piranha left him feeling uncertain about the condition of his own soul. But, after a period of wandering and reflection, he has returned. He does what he believes he must, fighting mobsters, killers, fiends,  a corrupt police force, and a city administration that does not want his help. He operates according to his own personal philosophy and moral code, and keeps his identity a secret so he can continue his work unimpeded.

Mirabelle is one of the nine smartest people in the world. Her IQ is virtually incalculable, and she has mastered a dozen different scientific disciplines on her own. She is also black, and she lives in a society deeply divided by segregation and oppression. To reveal her intellect and secret accomplishments would be to invite scorn, ostracism-- and, quite possibly, lethal violence. So she labors in secret.

Tull House, a 200-year-old former smuggler's den on the Mobile Bay is their home.
When a deadly struggle begins between the powerful, covertly criminal Carter family and an upstart named Hector Sams and his mysterious backers, Joe and Mirabelle find themselves in the middle of a hurricane of mystery and murder, and are locked into a deadly struggle of their own, against the horrific avatars of the two warring factions: The Werewolf and the Black Embalmer.

Even with the help of Doctor Sigmund Freud, can Joe and Mirabelle unravel the lies, secret associations, and conspiracies in a town where absolutely nothing is what it seems? Can they preserve the lives of innocent citizens caught up in the gang war, and their own lives as well? Will they live long enough to discover the most deeply-buried secrets of all-- the unremembered traumas that made them what they are?

Find out in "A Confederacy of Devils" by Chuck Miller, with art by Zachary Brunner, coming soon from Airship 27.


Thursday, September 11, 2014


The Black Centipede and his friend and partner, Amelia Earhart, will return in Black Centipede Confidential, facing off against Professor Moriarty, Lord of the Vampires, and his diabolical Order of the Sunless Circle. The stakes are higher than ever this time around, and our heroes will be sorely pressed. But they will not fight alone. Joining them will be the members of the Black Centipede's Invisible Round Table.


(Some names appear on both lists. They aren't typos-- they're just fickle.)


Amelia Earhart
Gregor Samsa
Patience and Prudence
J. Alfred Prufrock
F. Scott Fitzgerald
Percival Doiley
Resurrection Mary
Lester Dent
Walter B. Gibson
Bela Lugosi
John Dillinger
Mary Jane Gallows
Dr. Wilhelm Reich
Frank Nitti
and a


Bonnie Parker
Clyde Barrow
Charles Arthur "Pretty Boy" Floyd
John Dillinger
Kate "Ma" Barker
Max Schreck
Dr. Herbert West, Re-Animator
Zelda Fitzgerald
Dr. Hawley Crippen
Mary Jane Gallows
Judith DeCortez
Stagger Lee
The Loch Ness Monster
The Bell Witch
and a

BLACK CENTIPEDE CONFIDENTIAL-- MAY be published within the lifetime of the author and the readers, we hope. So, to renew your acquaintance and/or whet your appetite, here is an excerpt from BLOOD OF THE CENTIPEDE:


Frank Nitti had been as good as his word-- a relatively new experience for him, I imagined-- and Amelia and I went out on another fact-finding mission, armed with the list of speakeasies. I went unmasked, dressed in something other than one of my customary suits of solemn black. Amelia, very wisely, had donned a suit of men's clothes and had her hair stuffed up under a newsboy cap.

I had taken possession of my car that afternoon-- I had made arrangements for it to be shipped out on a freight train when it started looking like I might need it.  Amelia and I visited one dive after another, and we played it very low-key.  We sat and drank and listened to conversations around us. We identified the drunkest and most questionable-looking patrons and struck up acquaintances, paying for drinks, listening to stories, asking very discreet questions. We learned the same rumors over and over again, about an unknown new crime boss who was trying to set up shop, and about the mad Judith DeCortez, who was thought to be working for him.

Nothing we didn't already know.

"The important thing about an iron fist in a velvet glove," I observed at one point, "is that it has an iron fist in it. We're getting nowhere fast using the glove by itself."

"I'm just not comfortable with all that violence."

"Nobody is. That's how come it works."

She heaved a heavy sigh. "Maybe you're right."

"Of course I am. I don't see how you ever could have doubted it. I am, after all, an expert. Whoever this guy is-- whether he's this so-called White Centipede or not-- he is ruthless. Judith DeCortez is ruthless. That means whoever goes up against them has got to be ruthless, too. He has to be more ruthless than they are, or he will not win. And if he doesn't win, he is dead. Very straightforward."

Amelia stood up. "Well, in any event, I think I've had enough of this. Let's go."


"I don't know. Anywhere. I could really use some fresh air."

So we hit the street and walked around aimlessly for the better part of an hour. We were dressed rather roughly, and I had plastered an expression on my face that was an unmistakable warning to anyone who thought he might like to try any rough stuff on us. I wasn't worried about ordinary muggers and sex perverts. I almost wished somebody would get big ideas-- the exercise would have done me some good.

As we crossed a street at the corner, something caught Amelia's eye. She peered up the cross street and said, "Isn't that Roscoe Arbuckle?"


"Ducking into that alley, there." I looked in the direction she was pointing her finger, and saw a figure that certainly matched Fatty in terms of height and girth.

"Could be," I said. "Wonder what he's doing down here."

"So do I. Let's find out."

I shrugged and followed her toward the mouth of the alley. I didn't have anything better to do. And if Fatty was a habitué of this kind of neighborhood, he might be of some help.

We reached the alley and peeped around the corner. I saw someone slip around the corner at the other end of the alley, but whoever it was was too tall and slender to be Arbuckle. From where I was, I could not see any doorways into which Fatty might have ducked. Motioning for Amelia to remain where she was, I crept around the corner and made my way toward the opposite end of the alley. There were no convenient doorways, and I figured Fatty-- or whoever it was-- had simply cut through to the next street. I was on my way back to Amelia when something caught my eye.

Someone had chalked a few words onto the brick wall roughly at the halfway point of the alley. They were as high up as the shoulders of an average man, and they looked fresh:

The Juwes are the men That Will not be Blamed for nothing

If not for the fact that I have nerves of steel and ice water in my veins, I would no doubt have felt an icy talon clutching my heart just then. I recognized that sentence. And what was chalked onto the wall just below it, in smaller letters, gave me considerable pause:

It Begins Again

"What's that?" Amelia asked, peering over my shoulder, apparently having trotted up while I was in deep contemplation.

"This?" I replied. "It's nothing. Just some silly graffiti."

She gave it a look. "Huh. Crazy. Is that some kind of anti-Semitic screed?"

"I guess." I didn't tell her where, and under what circumstances, the odd message with the curious spelling had famously appeared many years earlier.  It had been found scrawled on a wall in London, England, some 44 years before, in close proximity to two very extraordinary murders. Many believed that the message had been written by the faceless jackal known as Jack the Ripper.

You know, the guy they never caught...
But it probably didn't mean anything here. I filed it away in my brain. I had bigger things to worry about.

"Gosh," Amelia said, "there are a lot of Jews in the movie business. I hope nobody's trying to start some of that Nazi crap over here."

"So do I," I said.

"No Fatty?" she asked.

"No Fatty," I affirmed.

We decided to call it a night.

Back in my room, I went through the motions of another fruitless attempt to analyze the material I had obtained from the rubber-suited woman. None of it made sense. I crawled into bed and glanced through the newspaper.

The first of FDR's Civilian Conservation Corps facilities had just opened in Michigan. In Scotland, someone claimed to have spotted a huge aquatic monster in Loch Ness. Adolf Hitler had eliminated all of the labor unions in Germany. Someone calling himself the Blue Candiru had foiled a bank robbery in Los Angeles. Another new masked avenger, evidently. Hooray.

I tossed the paper onto the floor, turned off the light, and went to sleep.

Now BUY it already!

Tuesday, September 9, 2014


Aaron Kosminski or not, Jack the Ripper causes problems for our hero in  this excerpt from "Blood of the Centipede" by Chuck Miller.$2.99 ON AMAZON KINDLE:

(From the Secret Journals of the Black Centipede)

On an oppressively hot night in the late spring of 1933, I found myself in an unenviable position on a studio backlot deep in the dark and foetid heart of Hollywood, California.


The lot was vast, a huge patch of surreal fungus choking the land with its empty, make-believe mock-ups of ancient Rome, the American West, a distant planet, the battlefields of Europe. A full moon shone down on this cold, schizoid grandeur, illuminating five human shapes in a tense tableau that was not part of any script.

I, the Black Centipede, legendary crime fighter and scourge of evil, was one of those shapes, and I was at a disadvantage. I had four broken ribs, two missing fingers, a possible concussion, and a pair of empty automatic pistols.

Another of the shapes was Amelia Earhart, the only thing I had close at hand that even resembled an ally, and she lay sprawled in the dust behind me, either unconscious or dead.

I fervently wished I had a few more assets on my side, seeing as how I was confronting three of the most lethal homicidal maniacs the world has ever known. And that is not hyperbole.

One of them was a madman called the White Centipede. He and I apparently had quite a history, of which I was completely unaware. The second was a charming creature known as the Black Centipede Eater, about whom more anon.

The third maniac, you've probably heard of.

His real name is as unimportant as it is unknown. His "nickname" is everything. He first made his mark in 1888 when he murdered five women in the Whitechapel section of London. He was never apprehended, never went to trial for those murders.

He called himself Jack the Ripper, and he was the closest thing to a demon in human shape that I have ever encountered.

Which made him the least of my worries at that moment, or so I thought.  Demons and monsters are very straightforward creatures. You usually know where you are with them. They are unimaginative, and completely out of their depth with someone like me.
I didn't take the Ripper as seriously as I should have that night. I regarded the other two as the real threats. I planned to concentrate all that remained of my personal resources on them just as soon as I disposed of this relic standing before me, clutching his knife and leering, dressed in a suit that had gone out of style half a century ago. I had fought him before, quite recently, and I thought I had his measure. He looked depleted. I figured our earlier encounters had taken a lot out of him.

"Don't you ever get tired of being a period piece?" I inquired. My tone was light and flippant, the implication being that he was damn near beneath my notice, but I would be gracious enough to take a bit of my valuable time to stomp on him like a cockroach.

The Ripper smiled and tossed his knife up in the air. It flipped a couple of times before he caught it by the handle. It was a gesture of contempt, his way of demonstrating the casual ease with which he could do the thing he was about to do.

His maneuver had created a split-second opening, and I tried to take advantage of it. I swung the fine, precision firearm-- now nothing more than a crude, blunt instrument--  in an arc that would catch him right between the eyes.

I didn't quite make it.

Instead, I received an object lesson in the folly of judging by appearances. The Ripper's knife was sharper than it looked, his arm stronger. Moving much faster than I did, he sank his double-edged, ten-inch blade into my gut all the way to the hilt, then yanked it upward with both hands until my breastbone stopped it. I was quite certain that the tip of the knife had come out through my back, right next to the spinal cord.

I looked down at the stuff spilling out of me, looked back up, started to say something, forgot what it was, and fell flat on my back. The knife, lodged in my torso, slipped from the Ripper's bloody fingers as I fell.

I had learned a lesson, but it looked as though I'd never have an opportunity to benefit from it, which struck me as pointless and wasteful.

Just before my mind winked out, I saw the Ripper standing over me, jerking his blade out of my torso. In doing this, he dislodged a couple of things from my abdominal cavity that I would have preferred to hang on to. He didn't say a word to me.

Then I went beyond thought and feeling and identity, into a very dark and quiet place...

Are you sold? Well, go for it: 

Thursday, September 4, 2014



INCLUDES "Zero Squared" by Chuck Miller!
Nine brand NEW tales of PULP HEROES vs MONSTERS!
The Green Lama, Richard Knight, Captain Future, Green Ghost, Moon Man, and more…
Battle demons and monstrosities from out of this world, by some of today's top talents!

In softcover AND hardcover, from Moonstone:

SC: http://moonstonebooks.com/shop/item.aspx?itemid=1066

HC:  http://moonstonebooks.com/shop/item.aspx?itemid=1067

BONUS: The special Hardcover edition features all the stories in the Soft Cover as well as 100 extra pages that reprint the previously published “Domino Lady vs Mummy”, “Black Bat vs Dracula”, and “Phantom Detective vs Frankenstein”!

Tuesday, September 2, 2014

Vionna and the Vampires sample

Known for taking Genre Fiction in strange, twisted directions, award winning author Chuck Miller, creator of 'The Black Centipede', leads readers on a brand new 'Psychedelic Pulp' experience with his latest novel from Pro Se Productions- VIONNA AND THE VAMPIRES: Book One of the Moriarty, Lord of The Vampires Trilogy!

“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” So said Sherlock Holmes of Baker Street, more than a century ago.

Vionna Valis and Mary Jane Kelly are a pair of hard working psychic detectives experiencing a run of bad luck. A new detective agency, the Femmes Fatales, is taking most of their business. Things seem to change for the better in the form of a new client named Scudder Moran, a wealthy young man with a unique problem; He has been targeted by the very, very late Professor James Moriarty—the Napoleon of Crime in another century, now Lord of the Vampires! Unexpected help arrives in the ghostly person of the Great Detective himself, and they set about unraveling a tangled web of lies and secrecy that reaches deep into each of their lives. Can they find the light before Moriarty unleashes his final, most horrific scheme?

"Chuck Miller," says Tommy Hancock, Partner in and Editor-in-Chief of Pro Se Productions, "is by far one of the most unique talents in Genre Fiction today. He takes the staples and standards of several different types of stories and doesn't just mix them together. Somehow he intricately weaves usually disparate parts into the wildest trip on fiction I think any reader has ever taken. The Black Centipede stands out as a vastly distinct character from the rest of his masked cohorts and You'll most definitely discover that Vionna and her cast of cohorts shine in their own deliciously dark way as well."

VIONNA AND THE VAMPIRES by Chuck Miller (Creator of The Black Centipede) is the first volume in the “Moriarty, Lord of the Vampires” trilogy. With a demonically evocative cover by Jeff Hayes and format and design by Percival Constantine, this is definitely an opening chapter to a trilogy like no other in New Pulp.

VIONNA AND THE VAMPIRES is available in print and Kindle from Amazon:



“Vionna,” Mary said gently. “Whatever is the matter?”

I had just stumbled down the stairs, after pulling on some sweatpants and a t-shirt. I was thinking about the very vivid dream I had just had, and it was making me cry. On top of that, my head was pounding. I don't mean I had a bad headache. I wasn't in any pain at all. It just felt like there was some kind of pounding going on in there-- muffled, but strong and steady.

I must have looked kind of crazy, because Mary seemed shocked when she laid eyes on me. As for me, I was so happy to see her alive, I ran and hugged her as hard as I could.

"Vionna!" she said. "What is it?"

"I had a dream," I said. "A very, very, very strange and bad dream."

"What happened in it?"

I shook my head. "I can't say right now." I let go of her and stood back, sniffling loudly.

"Have you had another of those strange lapses? We need to discuss those, Vionna. I think I may know..."

She didn't finish her sentence because poor little Vionna chose that moment to roll her eyes back in her head and fall to the floor. The pounding had become stronger and faster, and now something else was going on, too. It seemed I was hearing voices, more than one of them, coming from down in the bottom part of my mind. They got louder and louder, but I couldn't tell what they were saying.

“Oh gosh,” I said. “Oh, wow. Mary, I see what’s going on. There’s someone ELSE in here now!” I started pounding on my right temple with the heel of my hand.

Mary grabbed me by my wrists to make me stop hitting myself.

“Vionna,” she said, in the kind of voice you use on hysterical children or people who just aren’t right in the head. “Calm down, sweetheart. Everything is okay.”

By this time, I was bawling.

“No it isn’t!” I shook my head rapidly back and forth, flinging tears and snot all over the place, including onto Mary, who either didn’t notice it or decided to pretend it wasn’t happening.

“It isn’t okay,” I wailed. “I can’t have anyone else living in here. Next, it will be a whole family, and their dogs and cats too. I’m not big enough! I’ll collapse, and we’ll all die! I don’t wanna be Ground Zero!”

“Shhhh,” Mary shushed, pulling me by the wrists over to the couch and making me sit down.

“Darling,” she said soothingly, “you must gain control of yourself. Whatever is happening, you can deal with it. I shall help you.”

We went back and forth like this for quite a while. I won’t write all of it down because I’m sure you aren’t interested in four or five solid pages of me wigging out. I’ll just cut to the chase, which consists of me sitting quietly, wiping my face with my shirtsleeve.

“Here,” Mary said, handing me a hanky. “You don’t want that all over your clean shirt.” For a second, she reminded me of my mother, but then I remembered that I don’t remember my mother at all.

“Let me try something,” she said. “As you know, I haven’t been able to sense or communicate with your ‘Roommate.’ But if some new entity is trying to take up residence, I may be able to do something for you. I know where the odd things you've been saying come from. I didn't say anything because I didn't know what to make of it. But something must be done. My psychic powers aren’t all that reliable, but, as they say, it couldn’t hurt.”

Sniffling, I said to her, “You have no way of knowing that, but I don’t care, go ahead. Quickly please.”

Mary got all quiet. A while back, she watched an episode of “Star Trek” where Mister Spock did that Vulcan mind thing with somebody, and it really impressed her. She closed her eyes, twisted her hands into funny shapes, and put the tips of her fingers on my forehead and temples.

I closed my eyes, too.

Mary said, “My mind to your mind, my thoughts to your thoughts… Ah, here I am. This is one of those representational telepathic virtual environments I have read about. You’re unconsciously creating it yourself. Goodness, but it’s realistic. Like a big, old castle. You really should consider going into architecture, Vionna."

I couldn't see any of what Mary was seeing. I had my eyes shut tight, in both the actual world and my telepathic virtual environment.

“Ah, there’s the door behind which your ‘Roommate’ lives. My goodness, it’s solid steel. It appears to have no hinges and no handle. Just a tiny opening, like a mail slot. Perhaps your lost memories are in there, too. But that isn’t… Hello, what's this? It looks like a sound stage or a.. a movie lot! Why, it's London, in what appears to be the late Nineteenth Century. What on earth?

"Oh! There IS someone else in here.

“Yes, I can see you there," Mary said, evidently to somebody inside my head; I couldn't hear whoever it was, but apparently Mary could. 

"Whatever are you up to? Do you know you are causing this young woman a great deal of agitation? What did you say? You must speak up. Come closer, please, or would you rather I come to you? Very well. Let me just get a look at you, then. Are you… Oh my! Oh my effing God! It’s YOU! This is… I wasn’t effing expecting anything like this! Gee effing dee!

“What’s that? Oh, I know. But this is the twenty-first century. Everyone talks that way now. Even women and children. But never mind. What are you doing here? How did you get here? I see. Yes, I shall help you out of here. It must be frustrating for you. I can lend you sufficient energy for a very clear and stable manifestation. Hold my hand, now. Are you ready? On the count of three, then. One… two…”

THREE! The inside of my head suddenly felt the way it was supposed to. It was a great relief. I opened my eyes, then blinked them several times because they were kind of sore, like they get when you’re really sleepy. When I could see again, I found Mary at my right side.

And on my left was a man I had not expected to see again so soon.

The look he was giving me is what I think they call pensive. He was sort of smiling, but he also looked like he was afraid he was about to get into huge trouble over something.

I turned back and looked at Mary again. I opened my eyes up really wide and raised my eyebrows, which is how you ask “What?” without actually saying it.

“Vionna,” she said. “I’d like you to meet an old friend of mine.” She made her voice sound all formal, in a joking way, if you know what I mean.

“Miss Vionna Valis, may I present Mister Sherlock Holmes.”

“Sherlock Holmes,” I said.

“Yes,” said Mary. "His ghost, at any rate. Mister Holmes, this is my dear friend, Vionna Valis."

“Indeed,” said the ghost, nodding at me." I feel I know you already after what passed between us last night," he told me. If somebody had walked into the room at that moment, and that was all they heard, they might get some funny ideas.

Mary looked surprised. "You two... know one another?"

"Did you put that dream into my head?" I asked, ignoring Mary for the moment.

"I did," said Holmes. "Your mind is a great deal less chaotic when you are asleep. I was able to gather my wits and communicate with you in that fashion. Honestly, Miss, I was afraid I would never be able to get out of your head. You have a power about you... Well, thanks to Miss Kelly, I finally did. What I showed you last night was a series of events from 1888, more or less as they happened. I merely deleted my friend Watson and put you in his place."

"What dream?" Mary asked. "The one you were upset about earlier, Vionna?"

"Uh-huh. But I don't think it was really a dream at all."

"It wasn't," Holmes said. "There really isn't a word for what it was. It is simply something that I found myself able to do. I induced it, but I did not have full control over it. Miss Valis, you seemed to pick up on things of which I was unaware at the time. In some fashion, we may have actually gone back there, to that time and place."

"Yeah," I said. "Or one just like it. When I was there, I didn't know anything about my actual real life here in the present. I met you there, Mary, but I didn't know who you were."

Holmes smiled. "You perceived facts and made deductions that I was unable to, the first time I experienced those events. I believe you may have learned things I still do not know."

Sherlock Holmes turned his attention to Mary. “Miss Kelly,” he said, “I am so terribly sorry I was unable to prevent your murder, or lay my hands upon the fiend that slaughtered you. Of course, I knew you had returned, and I'm pleased to see that things have turned out so nicely for you. It’s good to see you."

“And you, sir,” Mary said. “As for the Ripper, trouble yourself no further. That is long in the past.”

“Indeed,” said the ghost. “But I cannot help feeling responsible for drawing you into my deeply-flawed plan, and for what happened to you as a result.”

“Mister Holmes,” Mary said, “I willingly entered into your plan. But there were factors of which both you and I were unaware. The Ripper was not at all what we thought he was. You could not have known, any more than I could have. We were unlucky, that is all. I would do it again without hesitation.”

The ghost made himself look super-humble and said something about how touched he was by her saying that.

“Mary,” I said into the silence that fell after he was done, “you never told me you knew Sherlock Holmes.”

“You never asked,” Mary replied. “I’ve done a great many things and known a great many people I’ve never had cause to bring up. You never told me you knew him!”

"I didn't until a couple of hours ago."

Mary turned to Holmes and said, "I am eager to hear the story of how you came here, and what your purpose is. I don’t believe you’re the sort to flit back from the afterlife for a lark.”

“No. In death, as in life, I am ruthlessly pragmatic. I think. I find that I can remember almost nothing about the other side right now. Undoubtedly this is a product of my descending from a higher sphere into a lower one.”

“I am familiar with the phenomenon,” said Mary.

”Yes, you would be, of course,” replied the ghost.

He turned to look at me. “Again, Miss Valis, I apologize for insinuating myself into your mind the way I did. It isn’t quite what I had intended. 

"I wanted to communicate my information to you without actually coming here myself. That is incredibly tricky, in the absence of a medium. But I applied myself to it, and I found you, Miss Kelly. And when I did, I discovered that your friend, Miss Valis, is a great deal more attuned to the 'wavelength' I was on, so I tried to communicate with her instead When I touched her mind, it drew me like iron filings to a magnet. I was pulled completely from the afterlife into her head! I managed to hang on to most of what I wanted to tell you, but it took a great deal of effort, and it cost me much of my ability to actually communicate the information.

"And now, most of the knowledge I had while I was still on the other side is now unavailable to me. What I know is this: There are vampires at work in this world right now, and their leader is Professor James Moriarty. He is, in fact, the reigning Lord of all vampires. I know that he plans some course of action that will have the direst consequences for mankind if it is successful, and I know that this game is even now afoot.

"How," Mary asked, after a minute or so, "did you know to come to us with this information? It seems you were in Vionna's head before Scudder told us his story."

"That, I fear, is difficult to explain. You lack the necessary frame of reference, as I myself do now that I am fully here. The best I can do is to say that time is not the rigid, linear construct most people believe it to be.

“And now here I am, and now I have told you all that I retain of my earlier knowledge. I’m grateful indeed that I don’t make a habit of crossing over this way. Robbed of one of my greatest assets—memory—I fear that I am worse than useless.”

“Nonsense,” said Mary. “That’s rubbish and you know it. Memory and intellect are not the same thing. As far as I can see, your fine mind—or its ectoplasmic analog—is in perfect working order. And I hope Vionna and I can count on you to employ it to the full on our behalf as we investigate these bizarre events.”

The ghost smiled. “I was rather hoping you’d say that, my dear Miss Kelly. I should like nothing better than to be of assistance to you and the charming Miss Valis. And let us hope that we may, once and for all, put an end to the seemingly endless machinations of Professor James Moriarty.”


Monday, September 1, 2014

The Journal of Bloody Mary Jane

Remember, even if you don't have a Kindle, there are several different free Kindle reading apps available.



(Introductory Remarks by Mary Jane Gallows)

I was not born in blood. The blood came later.

My birth was dry and silent, and it gave off a black light that could be seen by those few among you who have the right kind of eyes.

I had a mother, just like you. A father, too. They never actually met, my mother and father. The whole arrangement, in fact, was rather backward. My seed came from my mother and grew in my father. I gestated within him, and I learned much while I was there.

This is very difficult for me to explain. As they say, you had to be there. To understand it at all, you’d have to be like me. And you aren’t. You are not like me, and you may count that as a blessing, if you’re the sort that counts blessings.

I was a blessing to my father and a great and ultimately fatal vexation to my mother. I killed her in 1927, and she has not been back since. My father has died more than once, and I have always done my best to help him get back.

In Greek mythology, the goddess Athena sprang from the brow of Zeus, fully grown and ready for bloodshed. Exactly the same as me. I am not, obviously, the daughter of Zeus. My father was someone—something—else entirely. He has, however, attained the status of myth. I daresay there are very few people in the world who have never heard of him.

You certainly know his “trade name.” He was called Jack the Ripper.

In 1888 he was a human being, and then he made himself into Something Else. Four years after his Ascension, he traveled from London to the United States in search of a blot of darkness in the ethereal fabric of the human world. He had sensed it from across the ocean. He could sense people and things that had in them some of what he had in himself.

He came to Fall River, Massachusetts, in 1892 and found my mother. Her name, too, might be familiar to you: Lizzie Andrew Borden. Her darkness and hatred and desire to kill drew him close to her. She had something nasty inside her, thrashing around, craving attention and expression. My father touched it and coaxed it out, showed it what to do. My mother had been trying to give birth all by herself, conducting endless rituals, obsessing, seething, hating.

She might have succeeded with this method, eventually, but she didn’t have to. My father took the seed into himself, and together—though they never met face-to-face—they brought me into the world. Lizzie never knew I had a father at all.

My mother believed me to be a tulpa, and that may well be the case. I prefer to think of myself as sui generis, a thing without precedent. There isn’t a word for me. I am all there is of my kind.

I am Bloody Mary Jane.



Thank you and Happy Labor Day!

The girls are having a great Labor Day weekend! Our thanks to all our readers, past, present and future! This is the LAST DAY of the 99 cent sale!

LINK:  http://www.amazon.com/Vionna-Vampires-Moriarty-Lord-Book-ebook/dp/B00IXX9OB2/ref=sr_1_1?ie=UTF8&qid=1409569732&sr=8-1&keywords=vionna+and+the+vampires

Sunday, August 31, 2014



A few months ago, Chuck Miller allowed me to write a piece for his blog about a book called Vionna and the Vampires, which is all about an unbelievable experience that I, Vionna Vernet Valis, and my best friend and partner, Mary Jane Kelly, had. Well, now that book has now been published, and is now available on Amazon, and now I'm back to talk about it some more.

When I brought up the idea of doing another post, Chuck Miller, who in my view has too high an opinion of himself, said he didn't think it would be necessary, he could talk about the book all by himself. We went back and forth on this for a while, and I pointed out three things to him:

1.) The stuff the book is all about, the whole thing with Professor Moriarty, happened to me and Mary, not to him.

2.) Chuck Miller did not totally write the book all by himself, in spite of the fact that he put his name on the cover. The story was written by me in my own words, as a first-hand experiencer of the events. This is what is known as "first person narration," which means it is being told by the person to whom it happened to. None of this happened to Chuck Miller. He was nowhere to be seen when we went through all this stuff, as far as I can recall. While me and Mary were fighting off gross, disgusting vampires, Chuck Miller was probably asleep or playing on the internet or bragging to somebody about something he had supposedly done at some point in the distant past.

After I brought those two things to his attention, he went into some bullcrap about how that's the way the publishing business works, and that he deserved to have his name on it because blah-blah-blah, and I was being an ingrate and that him taking some of the credit would keep me from developing too much of an ego, and that I ought to thank him for taking my sloppy manuscripts and turning them into something readable, like that was some big deal or something, and that he had to make like a hundred corrections on every page, which I don't even believe is true. I told him my manuscripts weren't the least bit sloppy, and he hardly had to do any work on them at all, and did he think I was some kind of an idiot? He didn't answer that, but he said the bottom line was that I would never have gotten anything published at all without his help. So I said, no, the actual bottom line is something else, and that was my third thing:

3.) I told him that if he didn't let me write a post, I'd stop sending him any manuscripts at all, and so would my brother Jack, who works with Doctor Unknown Junior, and also the Black Centipede, who is very sympathetic to my cause. Then he'd have to make up stories all by himself, and then he could see just how many people would bother even looking at them, much less paying money for them. I mean, if he's this big-deal writer and has this wonderful imagination, how come he never did anything with it until the Black Centipede started sending him those case reports? So, there was that, and there was also something else. I had what I think is called leverage to use on him. Because, you see, I had gotten my hands on some short stories he wrote when he was in college-- never mind how I got them-- and I told him if that was the kind of stuff he wrote by himself, he could just go to it, and I wished him luck. Which I didn't, of course. I was being sarcastic. 

He cursed at me and threatened me for about fifteen minutes, but I just sat there and smiled, and when I got a chance to put a word in edgewise, as the saying goes, I told him I was prepared to post some of his crappy old stories all over Facebook and everywhere else if he didn't quit being so ugly to me. Well, he changed his tune pretty quickly and became all apologetic and everything, and started calling me "Miss Valis," and saying "Please" and "thank you," and so on, and the end result is that I am writing this piece, and he is going to post it exactly as it is, or else I absolutely will post those stories, starting with this one about a girl with hairy legs that is so terrible he'd never be able to show his face in public again if people saw it.

As for the book, I have to say that it is probably the best and most exciting book I have ever read in my life, even if I did write it myself, which I did, and I didn't make a hundred mistakes on every page. Maybe five or six at most, and they wouldn't have made hardly any difference at all, even if they were left in there. The story has so much fantastic stuff in it that I almost don't even know where to begin. There are vampires, there is the actual Professor Moriarty, there is the actual Sherlock Holmes-- not that Iron Man guy, Morton Downey Junior, that was in those movies-- there is a crappy Halloween party, there is a comic book geek guy, there are girls with really huge boobs, there's a giant talking turtle, there is Dracula and Jack the Ripper, there is mystery and intrigue and time travel and new words I found in the dictionary and a bunch more stuff on top of that, which I can't even go into here because it would be what is called "spoilers," and I have too much integrity to do that.

It's better that you see it for yourself, which you can do as soon as you buy the book.

Another thing about it is that it's the first part of a trilogy. Trilogies usually consist of three books, and Vionna and the Vampires is the first one in the Moriarty, Lord of the Vampires trilogy. Moriarty was around for a long time, and he caused trouble for more people than just me and Mary. The second volume, "Black Centipede Confidential," tells about the time in 1933 when Moriarty was goofing around in the city of Zenith, trying to find Jack the Ripper's Analytical Engine, and pulled all kinds of horrible, dangerous stunts, and how the Black Centipede put a stop to his foolishness. That one will come out later. I have not read it myself, but the Black Centipede has told me all about it, and it sounds very cool, and will probably be almost as good as Vionna and the Vampires, which is now available on Amazon, by the way, and well worth the price, even including shipping.

The third book will be The Return of Little Precious, which is all about my brother, Jack Christian, and Doctor Dana Unknown, and their dealings with Moriarty approximately one decade ago. I'm in that one, too, even though I can't remember any of it, so I can't really comment. Mary's not in it at all. Which is not unfair, since she was in just about every chapter of Blood of the Centipede, and I hardly showed up at all. I am practically the star of Vionna and the Vampires, though, and I do all kinds of fantastic things, like for example time-traveling  back to 1888 and solving a perplexing case with none other than Sherlock Holmes himself! I am absolutely serious, you can read it for yourself in black and white, as they say, when you buy a copy of Vionna and the Vampires, which happens to be available on Amazon right now. In addition, I learned some totally unbelievable things about myself, which will just blow you away when you find out what they are, I am not kidding.

Mary does some stuff also. She was kind of snippy with me during some of the events described in the book, and still hasn't admitted that I was right about certain things. But we're not mad at each other anymore, even though I would have a right to still be mad at Mary a little bit, if I was still mad, which I'm not.

Oh, and speaking of Blood of the Centipede, our new book, Vionna and the Vampires, which is now available for purchase on Amazon, by the way, features what you might call the "flip sides" of a couple of scenes in Blood. You should probably buy both books so you can see what I mean. But if you can't afford both of them, just buy Vionna and the Vampires. You can go to the link right down there and do that. You won't be sorry, I swear to God. 

And it has this really gorgeous cover painting by Jeff Hayes. I'm the one on the left.

Thank you.

Yours Truly,
Vionna V. Valis
World's Greatest Psychic Detective, For Real 

BUY THE BOOK HERE: www.amazon.com/Vionna-Vampires-Moriarty-Lord-Book/dp/1495948617/ref=sr_1_1?s=books&ie=UTF8&qid=1392691882&sr=1-1