Showing posts with label new pulp. Show all posts
Showing posts with label new pulp. Show all posts

Sunday, January 28, 2018

Doc Crater?



Who is Doc Crater? That's a good question; one he himself is unable or unwilling to answer. He is a man of mystery, with curious tastes and abilities. The possibility exists that he is not entirely sane, but this is offset by the fact that he is spectacularly rich, and seems to be a decent guy.

What does he do? For several years, he has been on a worldwide search for eight mysterious “artifacts.” He presumably knows what they are and what they can do, but he’s not telling anybody-- not even his closest associates. In the course of this quest, he has run up against some of the world’s worst criminal masterminds-- because mysterious artifacts have a way of ending up in the hands of arch-fiends-- and defeated them soundly.

He has secured two of the artifacts. And now a third has surfaced, in a small town in the American South. In order to get his hands on it, Doc must face a trio of diabolical adversaries: his childhood arch-enemy, Baron Modor Fogar; the insidious Judge Innsmouth and his Sisters of Perpetual Derision; and the corrupt, power-hungry President of the United States, Dagwood V. Tremens.

Aiding him in this mission are the members of Doc Crater’s team of specialists: Right-hand man Todd Tyler; Possibly-Undead Edweena, a brilliant scientist who claims to be a 400-year-old vampire; Rondo and Mondo, the Twins, a pair of ruthless mercenaries; the Incomprehensible Murk, a strange product of science gone extremely careless; and Debbie Daniels, an alcoholic goth poet who has no clue why she has been recruited by Crater.

All this and entirely too much more in “Doc Crater and the Third Artifact,” by Chuck Miller, only on Patreon.




Tuesday, September 15, 2015

Free Mary Jane Gallows!

No, she hasn't been arrested. What we mean is that Chapter One of the incredible adventures of the Black Centipede's... whatever, Bloody Mary Jane Gallows, supernatural "daughter" of Lizzie Borden and Jack the Ripper is now FREE on Amazon Kindle! That's right, I said FREE. That's as cheap as it gets without us actually paying you to read it! So GO!!!

http://www.amazon.com/My-Florida-Idyll-Episode-Fabulous-ebook/dp/B00LRJRZME/ref=la_B005WX2CKQ_1_19?s=books&ie=UTF8&qid=1442342916&sr=1-19&refinements=p_82%3AB005WX2CKQ

By L. Columbus TOP 1000 REVIEWER on December 1, 2015
Format: Kindle Edition Verified Purchase
I'm so glad the author provided this first volume as a free ebook. I've been burned too many times trying a new writer, only to discover their writing leaves much to be desired. Not the case here I'm happy to say! Mr. Miller is the real deal and as of right now, the best author working in the new pulp genre that I've come across. I found the story engaging, the main character fascinating and the plot exciting. A quick, but throughly satisfying read. I will certainly be seeking out more Bloody Mary and The Black Centipede. Thank you Chuck Miller!

Saturday, April 11, 2015

Yet Another Excerpt from BLACK CENTIPEDE CONFIDENTIAL

GET IT HERE: http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller-ebook/dp/B00SP5W6QI/ref=la_B005WX2CKQ_1_4?s=books&ie=UTF8&qid=1428741900&sr=1-4

... I read through the letter and was composing a reply in my head when Prufrock came bustling into my office.

"Mister Doiley has called here seventeen times, sir," he said, with unconcealed irritation. "I really think you should speak with him."

"I never should have given him that number," I groused. "I ought to disconnect it."

"You've had ample opportunity to do so," Proofy pointed out. "But you have not. I would, with all due respect, suggest that you either speak with him or go ahead and disconnect that line. To use a rather vulgar expression I have heard Miss Earhart employ, it is time to 'shit or get off the pot,' if you'll pardon my language, sir."

"Well," I said with considerable amusement, "the analogy is an apt one. A conversation with Percy has a lot in common with that particular bodily function, and the yield is just as predictable. But you're right, Proofy old son, you're absolutely right.

Percival Doiley, for those not in the know, was a young reporter for the Zenith Orator, a newspaper owned by William Randolph Hearst. Percy was also the author of the outlandish stories that turned up every month in Tales of the Black Centipede, a pulp magazine also published by Hearst.

With a certain amount of reluctance, I picked up the phone and dialed the Orator newsroom.

"Well," said Percy tartly when I got him on the line, "your royal highness can spare a few minutes to talk to a peon like me, huh? Wow, I feel privileged."

"Never mind all that," I said. "I'm not in the mood for it. What the hell's going on with you that's so urgent?"

"What do you care?"

"Percy..."

"Yeah, yeah. I can't talk to you right now, but you need to meet me at the Orator tomorrow. Can you do that, your majesty? Hearst has a big thing planned, so you'll have to see him, which I know you hate, but nobody gives a shit. You'll find out the whole thing then, and you can be a smartass or whatever you're gonna do. Will you be there?"

"I guess so."

"Swell!" he snapped. He named a time and slammed down the receiver without waiting for me to confirm it.

*

At the appointed hour, I met Percy in the lobby of the Zenith Orator building, and was surprised to see that he had a pair of thick-lensed glasses perched on his nose.

"What's with the cheaters, Percy?" I asked.

"Ah, my eyesight's been going downhill for a couple years now," he said sourly, blinking and fiddling with the specs. "It's my old man's fault. He's blind as a bat, practically, and I guess he passed it on to me, thank you very goddamn much."

"Well, they don't look half bad," I said with great insincerity. "They make you look intelligent. Like a college professor or something."

"Shit," he said, "that's all I need."

"Is that what you've been so upset about?"

"Hell, no."

We rode the elevator up to the top floor. Percy was miserable. I was, as always, inscrutable.

Entering the tastelessly-decorated office, the first thing I saw was my loathsome patron, the phlegmatic William Randolph Hearst-- publisher of the Orator and a few other newspapers around the country-- seated behind his expensive mahogany desk. Two of the other chairs held a couple of characters I'd never seen before.

"Mister Centipede!" Hearst boomed, his voice dripping with false bonhomie. "Wonderful to see you, sir! I have two gentlemen here who are very eager to meet you."

He ignored Percy.

"Mister Walter Gibson, Mister Lester Dent," he said grandly, "meet the Black Centipede!" He sounded like a carnival barker.

The two men stood up, but they didn't look very eager. Dent-- dapper and jaunty, with wire-rimmed spectacles and a small mustache waxed into two dangerous-looking points-- seemed to be trying to avoid eye contact. There was something vaguely seedy, not to say sinister, about him. Here was a man who had gone places and done things he might not want to talk about in mixed company. And I had a strong feeling that he knew I could see it.

"Goodameetcha," he muttered, gazing at a potted plant next to Hearst's desk.

Gibson, on the other hand, couldn't seem to take his eyes off me. He was practically gawking. He had dark hair, a clean-shaven, wedge-shaped face, and glasses similar to Dent's, though the lenses were much larger.

"Holy cow," he said as he pumped my hand. His voice and face were utterly wholesome, with no indication of any hidden guile. Of course, those are the ones you have to keep an eye on. He was nervous, but I did detect some of the eagerness Hearst had promised. I sensed that he wasn't nearly as worldly as Lester Dent, but he was the type that didn't need to be. He seemed to have the sort of robust innocence that jaded men strive for without realizing that's what they're doing.

And the man who should have been the king of this particular hill-- Percival J. Doiley, sole author of the nation's number one pulp adventure mag-- sat in a chair against the wall, crossing and uncrossing his legs, looking as though he were about to start crying. His head was on the chopping block, and kingmaker Hearst was sharpening the axe as he interviewed potential usurpers.

Once we were all seated, Hearst started his spiel.

"I have brought you all together," he said, clearly enjoying the sound of his own voice, "to discuss the future. The Black Centipede has proven a force to be reckoned with in the entertainment industry. A best-selling monthly magazine and a smash hit motion picture, and all of it in less than a year from the day he signed on with the Hearst Corporation.

"Young Mister Percival Doiley has done an... admirable job of chronicling the Black Centipede's true-life adventures in our publication, as well as on the big screen. But, as we all certainly know, there comes a time when a man must move on to bigger and better things. He has displayed an extraordinary talent for composing obituaries, and can produce extraordinarily riveting accounts of local flower shows. Also, our home delivery division could use another reliable carrier. You see, his potential is unlimited."

Here was Hearst the Sadistic Sonofabitch in full flower. Poor Percy had chewed the fingernail off of his right index finger, and was now trying to gnaw his way down to the bone. What had the young reporter/pulp writer done or failed to do to arouse his master's ire?

"And now," said Hearst with a nasty smile, "it is, perhaps, time to free Mister Doiley from the grind of pounding out a complete novel each and every month. I feel that his brilliance and youthful vigor might be put to better use elsewhere.

"And that, Mister Gibson and Mister Dent, is why I have asked you to come here today. You are two of the finest creators in the adventure magazine field. Either of you would be a feather in any publisher's cap."

Dent was scowling. "Hell, Mister Hearst, I'm doing okay, and so is Walter. We're fine just where we are. Would you like to know how much Street and Smith is paying me?"

The magazine Dent wrote for had just taken off in a big way. The first issue had hit the stands in February of 1933. Six months later, it was among the largest selling pulp adventure magazines in the country, second only to Tales of the Black Centipede.

Gibson wasn't doing too badly, either. His magazine had been around longer-- since 1931-- and, sales-wise, he was usually neck-and-neck with the upstart Dent.

"I already do," Hearst said, smiling like a degenerate Buddha. "I took the liberty of inquiring. You, too, Mister Gibson. I know how much both of you make. And it is impressive, especially in the depths of this Depression. However... I am willing to double the amount you earn, should you happen to become associated with me."

Dent and Gibson looked at each other. Percy had given up on his finger and was now trying to chew off his bottom lip.

"I'd like to hear more," said Dent.

"So would I," said Gibson.

Hearst nodded, looking very pleased with himself. "Let me ask you gentlemen a few questions. Mister Gibson, how does your arrangement with your... ah, client work? What sort of contact do you have with the man whose adventures you chronicle?"

"Well," said Gibson, "he sends me all of his personal case notes, and between that and newspaper accounts, I work up a story. I have a sort of rapport with him, even though we've never met personally. He's very clever, very tricky. I guess we sort of have that in common. My hobby is magic. Illusions, I mean, not actual sorcery-- stage magic, sleight of hand, that kind of thing. So I can get into his head a little bit. And I strive to be as accurate as I can."

Percy broke his silence in order to clutch at a straw. "Amazing!" he chimed in, his voice taut with desperation. "That's how I do it, too!"

This was, of course, a lie. I had never given Percy so much as a scribbled-on napkin. He made everything up out of whole cloth-- when he wasn't "borrowing" plots and characters from writers who were too dead to sue him.

"Wow," Percy continued. "Great minds and all that, huh, fellas?"

The sound of chirping crickets would not have been out of place in the silence that followed.

"And you, Mister Dent," Hearst said, ostentatiously ignoring Percy. "How do you do your work?"

"Generally speaking," said Dent, "my guy is a little more forthcoming than Walter's is. I go up to his headquarters once or twice a month, shoot the breeze with him and his aides. I get most of my dope from personal interviews, though I have gone along on a couple of their cases. I don't write myself into the action, though. I think, as a writer, you should keep a little distance between you and your subjects."

"That's my philosophy, too!" Percy offered. "I help the Centipede out all the time! We're great friends, he tells me everything. But, you know, I don't make a big deal out of my contributions, even though..."

"You know," said Gibson, addressing Dent, "I kind of envy you. My guy is a little too mysterious. I'm a magician, a sleight-of-hand artist, and I can figure out some of his tricks, but not all of them. And I've never been anywhere near an actual case. I don't think I'd want to, frankly."

"I don't make a habit of it," said Dent. "It can get pretty hairy. I don't run from danger, but some of the stuff those guys get into..."

"It just so happens," Percy gamely put in, completely ignoring the fact that he was being completely ignored, "I once captured Professor Necrosis almost single-handed, practically. He was about to blow up Saint Margo's Children's Hospital, and he had the Centipede all trussed up and was about to use the Cadaver Beam on him, so I sort of..."

"The fact is, Walter," Dent was saying, "I sometimes envy you. I like my guy well enough, I'm used to him, but yours... He's more of a maverick, isn't he? A real lone wolf. To me, that's appealing. My guy is a little too predictable. Hell, I've even worked out a sort of story formula based on the way his cases usually go. There aren't many surprises. And I like to be surprised sometimes."

He probably believed that was true.

It was time for Hearst to dip his oar back in. "I think you gentlemen will find that, as a story subject, the Black Centipede embodies the best of both worlds. He is very public-- known, respected, even loved by the masses. Nobody knows who he is, but everybody knows that he is here with us. He's got what it takes. I don't believe either of you would be disappointed with him."

This went on for quite some time. Frankly, I was not taking the whole thing very seriously, and was giving it very little attention. I had vampires and bank robbers on my mind. When the thing finally wound down and stopped, I took my leave of the group, promising to give thought to something or other and get back in touch with Hearst very soon.

Five minutes later, I had forgotten the whole thing.


 http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller-ebook/dp/B00SP5W6QI/ref=la_B005WX2CKQ_1_4?s=books&ie=UTF8&qid=1428741900&sr=1-4

Thursday, March 12, 2015

New Review of Black Centipede Confidential

5.0 out of 5 stars The Black Centipede returns for another epic adventure in Pulp Noir!, March 11, 2015
 Verified Purchase
This review is from: Black Centipede Confidential (Kindle Edition)
Book Review: Wednesday, March 11, 2015

Black Centipede Confidential: Book Two of the MORIARTY, LORD OF THE VAMPIRES Trilogy

NOTICE: Any spoilers are totally unintended.
The book opens with the notice in the paper of Sherlock Holmes. His death date is given as November 13, 1933.

Next, the Centipede is involved in preventing a bank robbery, said to be the gang of Public Enemy #1, John Dillinger. Unfortunately, the same identifying discrepancies that followed the gunning down of Dillinger outside a Chicago theater on July 22, 1934 apply here. Neither the Centipede nor his companion, Detective Lieutenant Stan Bartowski, is exactly certain that Dillinger is even in Zenith, much less the bank.

As the action of the bank robbery winds down, the Centipede notices the strange thin man with the unusual eyes. He recalls that witnesses claimed the robbers carried a coffin into the bank. Now the sun has set, and their Vampire overlord is free to exact his own acts of vengeance. The old man turns out to be Professor Moriarty, saved from death at Reichenbach Falls by being turned into the undead. Even in his current state, Moriarty is a planner, a Napoleon of Crime, a great spider in the center of a web of criminal activity.

And with this opening scene, Chuck Miller returns us to the world of The Black Centipede, a world where time and events do not necessarily follow real life or the established worlds of fiction. There are familiar faces, friends and enemies:

Amelia Earhart
Bloody Mary Jane Gallows
The Stiff
Baron Samedi
William Randolph Hearst
Doctor Unknown
Lester Dent
Walter Gibson

Then there are the new characters that pop up now and then throughout this fierce battle:

Bela Lugosi
Resurrection Mary
Patience and Prudence, professional fixers.
Al Capone
John Dillinger, (fighting on the side of the Black Centipede!)
Scott Fitzgerald, author
Anonymoushka, a faceless but deadly woman
Herbert West, reanimator
The Bell Witch
The Loch Ness Monster

The battle ranges from the rooftops of Zenith City, to the red light district, and to the network of tunnels underground. Moriarty is after a certain Analytical Engine, confident that it has been stored somewhere in Chicago. Could it be in Al Capone’s famed secret vault? Or is the secret and scope of the Engine so great that it occupies much greater space? Or maybe much, much less space?

The action never even slows down as Chuck Miller frantically paints prose with both hands, with brushes of pulp, horror, and noir. When the time comes for him to sign the finished work, you still might not be sure who is on who’s side. But that is pure Chuck Miller. The book is a joy to read and will keep the reader guessing, and pressing on, unable to put the book down lest you miss something!

It is no argument that this book deserves five out of five stars! Thanks, Chuck, for the exhilarating wild ride! Looking forward to your next project!

Quoth the Raven…
*
Thanks, Raven! Glad you liked it!
--Chuck

Wednesday, February 11, 2015

Black Centipede So On and So Forth

"I am the Black Centipede. I am often referred to as a 'masked adventurer,' probably because I wear a mask and have adventures. These are my stories."

Read the first chapter of Black Centipede Confidential on Smashwords (CLICK HERE) or on Amazon (CLICK HERE), or right below this paragraph! Then you can buy one so you can read the whole thing. That part isn't free, but it costs less than most fast-food combo meals. The choice is yours.


***
BLACK CENTIPEDE CONFIDENTIAL
BOOK TWO OF THE MORIARTY, LORD OF THE VAMPIRES TRILOGY
©2015 Chuck Miller
From the Secret Archives of the Black Centipede
as told to
CHUCK MILLER


ACKNOWLEDGEMENTS:

Sherlock Holmes, Professor Moriarty and Dr. John H. Watson were created by Sir Arthur Conan Doyle.

J. Alfred Prufrock was created by T.S. Eliot, and appears in the poem "The Love Song of J. Alfred Prufrock" (1915), a work in the Public Domain.

Gregor Samsa was created by Franz Kafka, and appears in "The Metamorphosis" (1915), a work in the Public Domain.

Dr. Herbert West was created by H.P. Lovecraft, and appears in "Herbert West, Reanimator," a work in the Public Domain.


PROLOGUE:

FROM THE TIMES OF LONDON
Obituaries
Monday, November 13, 1933

MR. S. HOLMES

News was received in London this morning of the death of Mr. Sherlock Holmes, the celebrated consulting detective, at the age of 79. According to his friend and physician, Dr. John H. Watson, Mr. Holmes passed away on Sunday after a protracted illness, at his home on the Sussex Downs.

Mr. Holmes was born in London in 1854 and was educated at Oxford and Cambridge. In 1881 he established a practice in London as "the world's first consulting detective," and soon became known for his brilliant and unorthodox solutions to the most perplexing of crimes. In this capacity, he frequently worked alongside the police. He became famous in the last century through the efforts of the late Sir Arthur Conan Doyle, who collaborated with Mr. Holmes' friend and partner, the aforementioned Dr. Watson, on a series of biographical books and magazine articles based upon the detective's more notable cases. Mr. Holmes himself, in addition to numerous monographs on a wide variety of subjects, published his magnum opus, The Whole Art Of Detection, in 1926.

Mr. Holmes retired from active practice in 1903, at the relatively young age of 49, and took up residence on the Sussex Downs. After his retirement, he became an avid beekeeper, authoring a specialized apiculturist handbook under the title Practical Handbook of Bee Culture, with Some Observations upon the Segregation of the Queen.

Mr. Holmes was preceded in death by his parents, Siger and Violet Holmes, and his brother, Mr. Mycroft Holmes. Another brother, Sherrinford Holmes, failed to return home from a mountain-climbing expedition to Switzerland in 1865, and is believed to have perished, along with the other members of his party, in an avalanche.


BOOK ONE: THE SUNLESS CIRCLE


And the like of us may never hope
For death to set us free
For the living are always after you
And the dead are after me

From "Billy the Kid and Clyde Barrow"
by Bonnie Parker


CHAPTER ONE: THE BANK JOB


Zenith First National Bank and Trust
November 17, 1933


"Are you sure it's Dillinger?" I asked.

"Hell no," replied Detective Lieutenant Stan Bartowski, my friend and unofficial liaison officer with the City of Zenith Police Department. "We got fifteen eyewitnesses who swear it's him, but of course none of them know Dillinger personally. They've seen him in the papers and on newsreels."

I was crouched down next to Stanley behind a bulky Ford police cruiser. He and a couple dozen other officers were in the middle of a tense standoff with a gang of armed robbers inside the bank. The street in front of the bank had been barricaded at both ends of the block, and was littered with cop cars. Officers were hunkered down behind them, aiming their weapons at the front doors of the building.

"So the identification is shaky," I said.

"It ain't even that good," Stanley replied. "It could be him, I guess. But it don't really matter. Somebody is robbing that bank, and now they've got a bunch of hostages they're threatening to kill."

"Well, that's pretty much de rigueur among armed bandits in dire straits," I observed.

"I don't know about that, but they all do it," Stanley said. "If it is Dillinger, this could be big."

"People see Dillinger everywhere these days," I said dismissively. "Either he has found a way around the laws of physics, or people are full of shit."

"Either way, it ain't important at this point," Stanley said grimly. "We have a bad hostage situation here, whether it's Dillinger or Adrian Countenance or Popeye the Sailor Man."

"So where does it stand as of this minute?" I asked. I had only just arrived on the scene, pinpointed Stanley, and joined him behind his Detroit steel barricade.

"Two cops badly wounded, and an unknown number of hostages inside, who are either still alive or not. Five gunmen, one of whom makes people think of Dillinger. They haven't made any demands yet, just threats."

I nodded. I'd heard about the standoff on the radio a few minutes earlier. They hadn't  had very many details, other than the fact that several witnesses had identified one of the culprits as John Dillinger.

"The weird thing is," Stanley said, "these mugs carried something in with them when they entered the bank. A big wooden crate. About the same size and shape as a coffin, according to the witnesses."

"Huh," I said. "That seems ominous, but I can't really say why. What significance, sinister or otherwise, could a coffin have in the middle of a bank robbery? It's hardly necessary to bring one along just in case you kill somebody."

"I didn't say it was a coffin, just that it looked like one." He sighed and looked at his watch. "They've been quiet for more than an hour, now. We don't wanna rush the place. But we're gonna have to do something. It'll be dark soon.

He was right. The sun had already dipped below the city's skyline. Several members of the Zenith PD were trundling huge, gas-powered spotlights toward the bank, in anticipation of a long siege.

"We need to know what's going on in there," said Stanley.

"Maybe I can find out," I said jauntily.

"That's what I'm hoping."

"Hoping?" I repeated, aghast. "You should be certain, Stanley. We'll have to have a long talk about the state of your faith in me."

"Go justify it," he tossed back.

"Your wish is my command."

I melted into the shadows between two buildings. It took me just a moment to find the manhole I was looking for. The city of Zenith had a rather unique layout, large portions of which I had committed to memory. My grandfather had been, among many other less savory things, a great architect and builder. He'd had a hand in designing and constructing half the buildings in the downtown area, and most of the sewer system.

But, as I say, Granddad was one of the most powerful, and easily the most corrupt, of the movers and shakers in Zenith during the Gilded Age and beyond. In those heady days, my ancestor's political machine made New York's Tammany Hall look like Hal Roach's Our Gang.

The bank building had been erected in 1901, and was one of those to which Granddad made sure he would have covert access. Having studied all of his "secret" blueprints, I knew the location of the hidden ingress. I was supremely confident that I would be inside the bank in a matter of minutes, and out very soon thereafter, having foiled maybe-Dillinger and his gang's attempted heist. I was already rehearsing my remarks to the press. I had a very clever double entendre I was itching to try out.

Now, at this point, I could caution my readership against overweening self-confidence, and lay down some platitudes about the best laid plans of centipedes and men. But the fact is, overweening self-confidence is my default state, and ninety-nine times out of a hundred, I get exactly what I bargain for.

Unfortunately, this happened to be a Number One Hundred scenario.

I couldn't get into the building. I made my way through the sewer to the point where the mouth of Granddad's old tunnel should have been, only to find that it had collapsed, and pretty recently, by the look of it.

And it hadn't collapsed on its own-- it had been blasted. I frowned behind my mask and kicked at the rubble. Nothing budged. Someone had planned this very thoroughly, and it seemed they had planned it with me in mind.

So, who was it? It was either someone I knew or someone I didn't. If the former, it was a short list. If the latter, who the hell knew? Neither prospect was comforting.

As I stood there underneath the street, contemplating the ruins, I felt a presence. Or a hint of one, anyhow. I was certain I was down there by myself, so I must have been picking up vibrations someone had left behind. Very recently, too. I had the idea they belonged to somebody I knew. They were familiar and alien at the same time, as though whoever had been here had tried to disguise them.

So there was nothing for it but to ascend from the netherworld and look for another way in. There was only one other possible route. If you want to get into a building unnoticed, you have two options: from below or from above. The former was preferable but not possible; the latter posed significant risks, but it was all I had.

I selected a building two doors down from the bank, and indulged in a spot of innocent breaking and entering. The place was a jewelry store, and it took me three minutes to circumvent the alarm system. Once inside, I climbed the stairs to the roof, then made my way across to the bank. Staying very low, I crept toward the front edge of the roof. Removing my hat, I peeked over the side at the uneventful tableau on the street below.

It didn't stay uneventful for long.

The very moment the sun sank completely below the western horizon, the bank's front doors erupted, as if on cue. There was a sudden crash, a sound like a huge hand slapping a flat surface. It wasn't an explosion; I saw no smoke or fire. Broken glass and bits of ceramic and chrome sprayed out over the street, sending several cops diving for cover.

Something had jumped from inside the bank, through the metal and glass, and was now crouched on the sidewalk. From where I stood, the bipedal projectile looked like a thin, stooped old man. The figure stood up straight and raised its arms. It was empty-handed, and appeared to be surrendering.

I heard Stanley yell, "Hold your fire!"

Two cops rushed the old man, each one grabbing a spindly arm. That should have been the end of it, but... The seemingly elderly, apparently frail figure picked up both of the cops-- one in each hand-- and flung them back across the street.

They were not lightweights, those cops. One of them, a solid-looking 220-pounder, went right through the windshield of a police car. The other one, hurled a second later, was headed straight for Stan Bartowski. To his credit, Stanley braced himself and tried to catch his brother officer. The irresistible force met the all-too-movable object, and the two of them sprawled across the pavement in a tangle of limbs.

One of the cops fired on the strange old man. The shot connected, but the man did not fall. Instead, he moved forward, wading into the cops massed along the perimeter. There were yells and curses and a shot or two.

I needed to get down there fast. It was a three story drop. Okay, this was not a problem. I moved to one corner of the roof and backed up a few yards. I unbuttoned my overcoat, held it wide open, took a deep breath, ran to the edge of the roof, and jumped.

Time slowed down. I flattened out to make the most of the air resistance as I dropped. When I was just a few feet from journey's end, I angled my body enough to grab a little bit of horizontal drag, then I curled up into a ball. I hit the ground that way and tumbled end over end for a few feet, before uncurling and allowing the last of my momentum to lift me to my feet right at the edge of the melee. I already knew this was going to be more than the cops could handle. I jumped into the tangle, and struggled to reach the wizened figure at its center.

There was a lot of yelling and jostling, and three cops became airborne, sailing off in different directions. I caught a glimpse of the old man and lunged forward, gripping him by the throat with both hands. The man tossed a cop off of his back, grabbed me by the wrists, and yanked. My grip was broken instantly, my hands went numb, and it felt as though my right shoulder was being dislocated. Then my feet left the ground, and the next thing I knew, I was sailing across the street toward the front wall of the bank.

I flattened out, twisted, and struck the front of the building at an angle that minimized the impact, bouncing off and landing on the sidewalk. I had just gotten to my feet, having avoided any serious damage, when there was a new development:

A number of other figures were now piling out through the ruined doors. They were yelling and waving guns, complaining about all the broken glass. I counted seven of them. The cops, busy with the mysterious old man, either didn't see them or couldn't spare any attention just then. The four bringing up the rear were carrying large sacks. The three in the vanguard each held a hostage in the human shield position.

By this time, I had a gun in each hand, and I leveled them at the hostage-takers. "Over here, fellers!" I said.

"Aw, crap," one of them said as he whirled around and spotted me. "It's that damn Black Centipede. We're as good as dead!"

"Naw," said another. "He won't do nothing. We got hostages."

I smiled behind my mask and said, "That's true, up to a point. I could kill two of you very cleanly, but I couldn't nail the third before he had a chance to shoot his hostage. So he can do that-- but, meanwhile, the two dead goons, with their hostages, will have fallen to the ground. Then, I will open up on everyone who is still standing. So, we are all at a disadvantage."

"Just stay back and let us go," said one of the goons, "or we'll kill these dames."

I frowned and shook my head, more in sorrow than in anger.

"You're not paying attention to me," I said patiently. "I've already addressed that. I am more concerned about these young women than the contents of those sacks. Now, I know your philosophy is the opposite of mine. When two such radically opposed ideologies clash, the outcome can be bloody-- but it doesn't necessarily have to be."

I was running my mouth to keep the crooks distracted, because I had concocted a plan to negate the threat without any loss of innocent life-- if any of us is truly innocent in this vale of tears. It would have worked, too, if not for a projectile-- in the form of an overweight police officer-- that struck me in the back at that moment, sending me sprawling onto the pavement.

The bandits took off, leaving their hostages-- confused and distraught, but intact-- behind. They were halfway down the block by the time I got back to my feet, heading for the mouth of a dark alley that led right through to the next street over. I fired a shot and winged one of them. He just started running faster. I fired again, and the bag he was carrying burst apart. Money went everywhere.

One of the others slowed and looked back over his shoulder, squeezing off a shot at me. He missed. I did not. The shot I fired in return caught him in the side of the head and he went down in a cloud of blood, bone and brains. One of his pals saw what happened and ran back, stooping to scoop up the dead man in his arms. Such touching loyalty! I was drawing a bead on the altruist when I got knocked down yet again by another flying cop.

That was really starting to get on my nerves, and I resolved to put an end to it.

I had been given some food for thought that I was going to have to save to snack on later. I was just about as certain as I could be that the man I'd shot and killed was John Dillinger.

The knot of struggling bodies around the strange old man had been thinned out, and I had no trouble muscling my way to its core. I shoved cops out of my path, to the right and to the left. "Sorry, boys-- pardon me-- for your own good and all that-- 'scuse me." Finally, it was just me and the old man. He knew enough by now to be wary, anyhow. He didn't jump on me. He eyed me with what seemed to be more intellectual curiosity than anything. It must have been the mask. That tends to give people pause.

"Who the hell are you?" I asked, as we circled one another in the middle of the street. We were in shadow and I couldn't make out his features.

As I say, he was aware that I was something out of the ordinary, and he was exercising some care-- taking my measure, I guess. I backed him all the way to the curb, then up onto the sidewalk in front of the bank.

"Hold your men off, Stanley," I said, "and get a spotlight on him."

I moved toward the figure on the sidewalk. When the spotlight came on, I found myself looking at a strange and familiar face.

He stood there in the glare of the spotlight. I couldn't help but notice that he cast no shadow on the wall of the bank building behind him.

"I believe I know who you are," I said. "And not only who, but what." If I was truly seeing what I thought I was seeing, a tall tale I'd heard months before had just been confirmed.

"Bully for you," snarled the man, giving me a baleful glare.

He had an English accent. His pronunciation was subtly archaic, some forty or fifty years behind the times, as near as I could figure.

I hesitated. Why? I am not known for timidity or uncertainty in the face of danger. What was it about this stooped and cadaverously thin old man that gave pause to the mighty Black Centipede?

Well, his canine teeth were a factor. They were approximately two inches long, and curled down over his lower lip, tapering down to wicked-looking points. His eyes seemed luminous, and the pupils were bright red. Little details like that tend to raise caution flags with me.

I backed off a few yards, wondering how best to handle such a situation. Glancing over at the police line, I spotted a cop I knew, and I got an idea.

I did several things, very quickly.

First, I popped the clip out of my gun and let it fall to the street.

Then I yelled, "O'Malley! You still carry that rosary?"

"Yeah, I do," said the reliable Irish Catholic cop, patting a jacket pocket.

I flung the unloaded gun at the old man's fanged kisser. It was just a distraction, but that was all I wanted.

"Toss it here," I said to O'Malley. "I'll explain later. This is important."

"Sure thing, Centipede," said O'Malley. He seemed puzzled, but he knew me well enough to comply without delay. He dug it out and lobbed it in my direction. I caught it and smiled behind my mask at the little crucifix hanging from it.

The old man, meanwhile, had ducked the flying firearm, then turned and stooped to pick it up. It took him a few seconds to regain his bearings, by which time I had moved in closer with my prize.

"Here," I said, thrusting the rosary in his direction. "Chew on this, Professor."

The creature made an alarming noise and recoiled. He raised my gun, pointed it at me, and squeezed the trigger-- wasting another second or two of his time, and allowing me to press my new-found advantage and move in closer.

"Put that blasted cross away," he rasped, flinging my gun back at me. I caught it with my free hand and stowed it away in my jacket.

"I have no real incentive to do that," I pointed out. "Your goals and mine are incompatible. What the hell are you doing here, anyhow?"

"I should think that would be obvious even to an idiot," he said with some asperity. "I'm robbing a bank!"

"Touché, Professor. Let me try again. Why in the hell would a vampire want to rob a bank?"

There. I had said the word. It was good to get it out of the way.

I knew vampires really existed, having encountered one during the summer of my nineteenth year. They weren't common, but they did turn up now and again. I'd heard some things about them-- and this one in particular-- from Doctor Unknown.

"Why does anybody rob a bank, cretin?" the vampire spat. "To get money!"

I sighed. This was going to be like pulling teeth. Or fangs.

"If you're going to be difficult," I said, "I'll just shove this rosary down your throat and see what it does to your esophagus. In a spirit of scientific inquiry, of course."

"You're very crude," he said, making a sour face. "The Great Detective never resorted to that kind of trashy rhetoric."

"Write a letter to the editor," I suggested. "I'm not interested. Why do you need money?"

"My condition comes with certain inconvenient limitations. I need minions, and minions want to be paid for their services. Not unreasonable at all."

"Why not just mesmerize them? Isn't that the fashion among your kind?"

"I believe in a day's pay for a day's work," he said. "And, apart from that, a mesmerized workforce is more trouble than it's worth. And now this operation is finished. I know who you are, too, and you shouldn't have become involved in this."

Then he moved. Did he ever! Just pick your favorite cliché. Greased lightning, a striking cobra, a speeding bullet. He was fast. In less than half a second, he vaulted across the ten-foot gap between us and slapped the rosary out of my hand. He had ignored my other hand, which was a mistake, because it had time to dip into my jacket and come out with a fresh, fully-loaded .45 automatic. The Professor had bared his fangs and was lunging for my throat, but what he got was a mouthful of gun barrel. I squeezed the trigger, knowing it wouldn't kill him-- but it would throw him off balance for a second or two.

His head snapped back, and I sprang away from him, pumping a few more bullets in his direction just for the hell of it. He laughed harshly and spat out the bullet I had put into his throat, as he strolled casually toward me. It looked pretty dire.

Then I got an idea. I reasoned that the mind behind those burning eyes was at least as twisted and treacherous as my own, and probably every bit as prone to paranoia. As he got closer, I threw down my gun and yanked up the bottom edge of my mask, baring my throat.

"Go ahead," I said. "Bite me."

He stopped short and narrowed his eyes at me. I pulled my mask up higher so he could see the grin on my face.

"Come on," I urged. "What are you waiting for?"

Cocking his head, he said, "What are you trying to pull?"

"Nothing," I said calmly. "I'm just surrendering to the inevitable. Go ahead and get it over with. I'm sure you've got plenty of other things to do tonight."

He stared at me for ten seconds, rocking back and forth on the balls of his feet, considering. Then he let out a sharp sound of disgust, turned on his heel, and jumped up onto the roof of the bank. He turned and gave me a final murderous glare, then disappeared into the night.

I realized I'd been holding my breath. I let it out, gulped in some fresh air, pulled my mask back down, and might have just gone ahead and fallen down in the street, if Stanley hadn't come up behind me and put an arm around my shoulder.

"You okay?" he asked.

"What do you think?" I replied. My body was rigid, and I was fighting to get my breathing under control. It wasn't fear, though. It was the overpowering sense of excitement and dark euphoria that took hold of me every time I flirted with death and came through it alive.

"It's okay, man," Stanley said. "You'll be fine."

He was genuinely concerned, which I found touching. And I was glad I was wearing a mask, so he couldn't see that the grin I had shown the vampire was still plastered across my face.

"I'm fine, Stanley," I said, in a voice intended to convey a sense of great courage in the face of sheer terror.

He nodded and turned to the cops who were still gathered behind the barricades. "Get in there," he said. "And be careful!"

To me, he said, "Centipede, please tell me that wasn't what it looked like it was."

"If it looked like anything other than a vampire, Stanley, I can't accommodate you."

"Yeah, that's what I was afraid of," he said forlornly. "Goddammit! Vampires now! This job gets crazier every day. All the years I was a beat cop, I never ran across one goddamn vampire or walking corpse or mad scientist. Now that's all we get!"

"I think you've done a remarkable job of adapting," I said.

He shook his head. "Well, let's go see what we can see."

I followed Stanley into the bank and had a look around. There wasn't much to see. Uniformed cops, plainclothes detectives and crime scene techs went about their business, interviewing witnesses, dusting for prints-- futile though it was-- and collecting what little evidence they could find.

I should mention here that Zenith was the first major city in America to employ full-time crime scene investigators of the kind that are, thanks to a relentless stream of popular television programs, so familiar today. There's a reason for that: Me. During my six-year odyssey around the world, after I left Fall River and before I settled down in Zenith, I had been a busy centipede. I had invented and/or developed a wide variety of investigative techniques and equipment that were decades ahead of anything any police agency in the world had at their disposal.

When I became a national hero and respected member of the establishment, I generously shared all of this with the Zenith P.D. Not that I was a natural-born philanthropist or selfless public benefactor in those days. Frankly, I had realized that detective work of that kind bored me to tears; I preferred to conserve my energies for epic battles with the likes of Doctor Almanac, Professor Necrosis, Adrian Countenance, and so on. So I donated every bit of my equipment to the city-- retaining only a few particularly exotic devices-- along with instruction manuals sufficiently detailed to make me proof against technical inquiries from the users. The more grunt work I could dump on the local constabulary, the better.

I spotted the only thing likely to yield any interesting information, and, asking Stanley to accompany me, I made a beeline for it.

"Here's the crate," I said, and so it was. An ordinary packing crate about the size and shape of a standard casket. "It could certainly serve as a coffin. And look, Stanley. Dirt."

There was a layer of dry soil, an inch or two deep, in the bottom of the crate.

"What the hell?" Stanley squatted down on his haunches and examined the wooden box and its contents. "What's this for? A planter or something?"

"Vampire spoor," I said. "Remember, the sun was still up when they entered the bank. That box was used to transport the creature we just saw. A vampire has to line his coffin with soil from his native land."

Stanley scratched his head. "Why?"

I shrugged. "Why is the sky blue?"

He looked up at me and said, "It's on account of the way sunlight reflects off of air molecules, is how I understand it."

I frowned. "Bad example. Just replace it with your favorite unanswerable rhetorical question. I don't know why they do it, but they do it. Since it's supernatural, there probably isn't any reason that would make scientific sense."

"I hate stuff that don't make scientific sense," he said sourly.

"I have a sort of love/hate relationship with it myself," I admitted.

Stanley assigned a couple of the uniforms to secure the crate and take it to the crime lab. It was pretty much the only thing we found in the way of physical evidence.

"I'll have to get back to the office," Stanley said, stretching his arms. "But first I'm gonna go get a drink. You want to join me?"

I did. We walked two and a half blocks to a speakeasy that was frequented by Zenith cops. Payoffs and free drinks had enabled it to sail through the reign of the Volstead Act without encountering any squalls.

Stanley and I got our drinks at the bar and went to a little table in the back. This was a place where we frequently discussed enterprises of great pith and moment.

"So," I said once we got settled, "What else is up aside from vampires?"

"We've had a rash of peeping toms lately. Funny thing is, one of them is a dame!"

"You don't say. Odd. Women do not generally seem to be drawn to that kind of activity.”

“Yeah. Technically, I guess it ought to be the responsibility of the vice squad. But we've never had what you could call an organized gang of peepers before, so they dumped it on Unusual Crimes, like we don't have enough to worry about already. There’s also been a huge spike in breaking and entering. And there’s a funny thing there, too-- in most cases, nothing has been stolen!”

“No kidding? What kind of places? Stores or private homes?”

“Both. Churches, too. Schools, factories, warehouses, you name it. Not only that, but actual theft has been down. We got dozens of break-ins every day, and in all but a couple cases, nothing is taken.”

“Any connection with the peepers?”

“I wondered the same thing," Stanley said. "There has been a lot of overlap as far as certain buildings being hit by both, but it just don’t make sense. If the peepers are casing these joints, they ain’t doing a very good job."

"Well, what about organized crime?" I asked. "The Stiff? Baron Samedi?"

Stanley made a face. "I never know what's going on with that bunch. Lucky for me, it ain't my responsibility. You know they keep it low-key, and they've got the fix in with City Hall and everything-- of course. I mean, this is Zenith, after all. Y'know, all this crap Mayor Dietrich has been spouting about getting tough on organized crime, that's just eyewash. You remember, they did the same thing after ADA Melchoir got killed."

I let out a meaningless "Hmmmm," and nodded. I knew a lot more about Zenith's reigning crime czars than Stanley did, starting with the fact that Assistant District Attorney J. Russell Melchoir was not dead. He had, in fact, undergone a peculiar transformation, and was now one of the city's new crime czars-- he called himself the Stiff. He had formed a partnership with the redoubtable Baron Samedi, a formidable Voodoo practitioner and gangster. I had an interesting, rather cordial relationship with them. 

But I had heard nothing from them in weeks, and it was a cause for concern. Especially now. I'd been trying, but could go only so far up the chain and no further. There were rumors of a shakeup, but I didn't think there was anything to that. Samedi and the Stiff had no serious competition.

"There ain't any more gang wars since this new outfit took over," Stanley was saying. "Things are quiet, no gun fights in the streets, no civilians getting killed. There just ain't any public outcry over organized crime. I dunno why the mayor's so gung-ho about it. Or your buddy Hearst, for that matter, since it was the Orator that started all this crap. We been having way more trouble out of the super-criminal freaks than we have out of the mob."

"Well, you just answered your own question. The super-criminal madmen are too unpredictable. Nobody can really do anything about them-- the mayor certainly can't. It makes people antsy, and when people get antsy, they demand action. It doesn't necessarily have to be the right kind of action."

*

Things were a lot stranger than usual in the city of Zenith. It reminded me of an apparent madman roaming around London smashing busts of Napoleon for no discernible reason. It made sense to whoever was doing it. There just aren't that many random madmen out there. Someone was looking for a hidden pearl.

END OF THE FREE. NOW GO HERE:

http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller-ebook/dp/B00SP5W6QI/ref=la_B005WX2CKQ_1_2_title_0_main?s=books&ie=UTF8&qid=1423713057&sr=1-2

Sunday, February 1, 2015

Black Centipede Confidential

PSYCHEDELIC PULP RETURNS WITH 'BLACK CENTIPEDE CONFIDENTIAL' BY CHUCK MILLER FROM PRO SE PRODUCTIONS

http://tinyurl.com/k9o776d  

Pro Se Productions, a leader in Genre Fiction, proudly announces the latest novel from an author first published by Pro Se, the man who single handedly is credited by many for creating his own sub genre of New Pulp. Chuck Miller and his seminal creation, The Black Centipede, return for Miller’s latest foray into what has been termed by many as ‘Psychedelic Pulp’. Black Centipede Confidential is now available in print and digital format.

“Chuck Miller,” says Tommy Hancock, Partner in and Editor in Chief of Pro Se Productions, “may have one of the most singularly unique voices in New Pulp and Genre Fiction today. His mixing of fantastic fiction and historical fact, his control of dialogue and the way he literally gives each character their own style, and the limitless world that he has created, where anything could happen and nothing is literally as we know it, all of that makes everything he does one major trip. And The Black Centipede, clearly the character that has Chuck’s dark, twisted creative heart, is in top form in this latest work. Not only that, but Chuck deftly pulls off a series within a series as this novel is the second in Chuck’s Moriarty, Lord of the Vampires trilogy.”

The year is 1933. The place is Zenith, home of the mysterious Black Centipede. The sinister Professor James Moriarty comes calling, and he's brought a few friends with him: John Dillinger, Pretty Boy Floyd, Ma Barker, Bonnie and Clyde, the Bell Witch, the Loch Ness Monster, and the rest of the deadly Order of the Sunless Circle. Moriarty is looking for Jack the Ripper's Analytical Engine, and is prepared to destroy Zenith to find it.

But the Lord of the Vampires has reckoned without the Black Centipede, who rises to the challenge with a few friends of his own: F. Scott Fitzgerald, Amelia Earhart, J. Alfred Prufrock, Resurrection Mary, Doctor Unknown, Gregor Samsa, and the other stalwart members of the Invisible Round Table.

Where is the Analytical Engine? Who is the faceless assassin called Anonymoushka? Why does William Randolph Hearst want to fire Percival Doiley? What the heck is going on with Bloody Mary Jane Gallows? How can the Black Centipede possibly save the day?

The answers to these and many other questions can be found in Black Centipede Confidential, the second volume in Chuck Miller’s Moriarty, Lord of the Vampires trilogy and the wildest ride yet through the streets of Zenith and beyond. From Pro Se Productions.

Black Centipede Confidential features evocative cover art by David L. Russell, logo design and print formatting by Forrest Bryant , and eBook formatting by Russ Anderson. The latest novel featuring the first Hero of Psychedelic Pulp is available for $15.00 at Pro Se’s own store at http://tinyurl.com/o474e6r, or on Amazon at http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller/dp/1507689209/ref=la_B005WX2CKQ_1_10_title_1_pap?s=books&ie=UTF8&qid=1423051418&sr=1-10

and digitally for $2.99 for the Kindle at http://tinyurl.com/k9o776d and for most formats at http://tinyurl.com/nk7tdz8.

For more information on this title, interviews with the author, or digital copies for review, contact Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

For more information on Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Sunday, January 18, 2015

Bloody Mary Jane Part Two and Others!

PRO SE PRODUCTIONS SINGLE SHOT SIGNATURE SERIES-
FOUR NEW STORIES TO KICK OFF 2015!

 http://www.amazon.com/My-Florida-Idyll-Episode-Fabulous-ebook/dp/B00SESM81Y/ref=sr_1_fkmr0_2?ie=UTF8&qid=1421639041&sr=8-2-fkmr0&keywords=MY+FLORIDA+IDYLL+PART+TWO


At the end of 2013, Pro Se Productions, an innovative publisher of Genre Fiction, debuted its Pro Se Single Shots line, stand alone digital only short story singles at an affordable price. Due to the success of the single self containted tales, Pro Se launched the Pro Se Single Shot Signature line in 2014. The Signature imprint still focuses on digital singles, but invited authors either write individual stand alone stories under a ‘From the Pen of…” title or a series of their own creation, either featuring connected stories or even ‘chapters’ or ‘episodes’ as well as still features single short stories or recurrent ‘chapters’ or ‘episodes’ written as short stories. The New Pulp Publisher debuts the next chapters in four of its inaugural Signature series today.

“The Pro Se Single Shot Signature line,” says Tommy Hancock, Pro Se Productions Partner and Editor in Chief, “is a project that, although it’s gotten off to a slow start, has in many ways altered how Pro Se sees publishing. We’ll continue with our traditional publishing of novels and anthologies, but the Signature imprint allows us to play with all sorts of possibilities of promotion, distribution, and accessing new readership on several levels. With schedules being sorted in the next week or two as well as multiple series and writer’s imprints debuing within the line over the next month or so, Pro Se is preparing to redefine Genre Fiction and New Pulp in 2015. And the four latest installments to the series that kicked off the Signatures are the best way to move forward.”

The four newest releases from the Pro Se Single Shot Signature line are available at Amazon and www.smashwords.com.

FLY GIRL: THE ICE QUEEN by Russ Anderson

Russ Anderson Jr’s Fly Girl returns, soaring into her second adventure in her Pro Se Single Shot Signature series as she faces The Ice Queen!

Still reeling from the events of the first story, 16 year old Caryn Clay struggles to understand her newfound abilities, her truly awesome connection with her Navajo heritage, and the attack of another strangely powered figure, known only as The Trickster. Before she can come to grips with any of that, though, a new foe presents herself. Can Caryn survive the chilling vengeance of a wronged girl? And are she and her mystical feather to blame for the destruction wrought by this frigid new enemy? Find out in The Ice Queen, Fly Girl Book Two by Russ Anderson, Jr., featuring exciting cover and logo design by Jeff Hayes and ebook formatting by Anderson. Available on the Kindle at http://tinyurl.com/prt4yoo and for most other formats at http://tinyurl.com/q6vm3pl for only 99 cents.

LUTHER CROSS: TIES THAT BIND by Percival Constantine

Author Percival Constantine returns with another tale of Luther Cross—the only man clever enough to con Hell itself. In the second installment of Constantine's Pro Se Single Shot Signature Series, Cross finds himself embroiled in a missing persons case and becomes dangerously entangled in Ties That Bind.

A stop for breakfast in a small diner becomes a case of life and death...and more for Cross. Overhearing a distraught woman's plea for help to find her missing brother, Cross senses there is more than simply an absent sibling at work here. Finding themselves on their own deep in the woods, Cross and his new companion discover that small towns not only hide skeletons in the closet. There's something much worse they keep in the barn.

Ties That Bind, the second digital single short story in Constantine's Luther Cross Pro Se Single Shot Signature Series, features evocative cover art and logo design by Jeff Hayes and ebook formatting by Russ Anderson. The latest story in Cross’ saga is available for only 99 cents for Kindle at http://tinyurl.com/l79xflt and at Smashwords for other formats at http://tinyurl.com/o76jp2j.

MAGEE: TWO SOULS by David White

The Angel Heaven and Hell hate to see coming discovers new truths in the third installment of author David White's Magee, a Pro Se Single Shot Series from Pro Se Productions.

Finding love in the arms of a witch, Magee seems to be finding his stride in the mortal world. That is, until a guitar wielding demon shows up, fully intent on playing Magee’s funeral song on his corpse. As the battle ensues, Magee finds himself face to face with unbelievable secrets now revealed as well as an evil older than God itself. An evil that offers Magee the world...or suffering beyond even his imagining.

David White’s Magee: Two Souls is the third digital single short story in this supernatural action Pro Se Single Signature Series and features striking art work and logo design by Jeff Hayes and ebook formatting by Russ Anderson. Get your copy for only 99 cents at Amazon for the Kindle at http://tinyurl.com/k6qcrxb and for most other formats at Smashwords at http://tinyurl.com/pqaptzy.

THE FABULOUS WORLD OF ZENITH: MY FLORIDA IDYLL, PART TWO
by Chuck Miller

Chuck Miller, the master of Psychedelic Pulp, returns with the second episode of the wildest, weirdest Pro Se Single Shot Signature Series yet. The Fabulous World of Zenith, a new and original series that will examine the world of the Black Centipede, Vionna Valis, Mary Kelly and Doctor Unknown Junior from a variety of strange and oblique angles continues on with The Journal of Bloody Mary Jane: My Florida Idyll- Part Two!

Finding herself trapped in the small Florida settlement of Cotton Mather and Ponce De Leon, Mary Jane Gallows continues on her odd mission for the now vampiric Professor Moriarty, as well as her own personal twisted journey. Strange creatures inhabit the dilapidated village surrounding the mysterious Fountain of Youth. Three men stumble their way into the crop of building and strangeness seeking a murderess, not knowing that Bloody Mary Jane is indeed among them. And Miss Gallows finds out much and yet nothing about the future, her destiny, and secrets that could mean her own demise or even better, the end of the world.

The Journal of Bloody Mary Jane: My Florida Idyll- Part Two features a fantastic cover and logo design by Jeff Hayes and ebook formatting by Russ Anderson. It is available for only 99 cents at Amazon for the Kindle at http://tinyurl.com/kxfgfme and at Smashwords for most other formats at http://tinyurl.com/pkbcslh.

For more information on these titles, interviews with the authors, or digital copies for review, contact Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Friday, January 16, 2015

DOCTOR REVERSO: THE COUP DE GRAS

CHAPTER WHO THE HELL IS EVEN COUNTING?

Jumping to a Hasty Conclusion 
or
"Marginally Better Than Not Finishing It At All"

From the Musty Chronicles of the Black Centipede
As told to
Chuck Miller 

START AT THE BEGINNING:
 http://theblackcentipede.blogspot.com/2012/08/the-return-of-doctor-reverso_17.html

NOVEMBER, 1933

In the end, it went a lot more smoothly than I had any right to expect. So much so, in fact, that coming on top of all this buildup, it amounts to a rather staggering anticlimax. You probably won't like it, but I don't make this stuff up, I just report it.

My grandfather was very fond of cliches like "Let the buyer beware," and, "You get what you pay for." I used to roll my eyes at such platitudes, but now I would ask my readers to keep them in mind. This internet web serial costs you nothing to read. If you are dissatisfied with the outcome, I will gladly return your money in full. Hell, I'll double it. Can't say more fair than that.

I showed up at a certain street corner at an appointed hour to meet with Percy and carry out whatever harebrained scheme he had concocted. Whatever it proved to be, I had my end covered. I had a plan so bold and brilliant that it was absolutely foolproof, no matter what happened. I had planned for absolutely any imaginable contingency.

Except for the one that actually happened.

Of course.

Percy and I waited until half an hour beyond the point at which Mag DeMilby Junior was supposed to show up, in full Doctor Reverso regalia, pretend to attempt to rob a bank, then pretend to get his ass stomped into the pavement by the astonishing Black Centipede. Except I wasn't planning on pretending. I was going to deliver a comeuppance to the villain that was so brilliant, so shocking, so ironic, that....

I'm sorry, I can't even bear to think of it now, much less relate it to you. Such a shameful waste! Because, you see, Cruel and capricious fate had stepped in and taken the matter out of my hands.

Mag DeMilby Junior, unremarkable character actor, arch-fiend, would-be killer of the Black Centipede, was dead.

He had been taken in the night by a heart attack. It seemed he had been nursing a bum ticker for years, and the poor, overworked organ had finally called it quits, no doubt egged on by the prodigious amount of booze and cocaine that constituted 90 percent of DeMilby's regular diet. Rumor has it that, the night before the morning he was found dead in his bed at one of Zenith's finer rat-trap hotels, his suite had been visited by no fewer that eight ladies of the evening. Rumor further has it that the corpse's mouth was frozen in a wide grin that the undertaker had been unable to remove.

And that wasn't all. A journal was discovered among his effects. There aren't many criminals above a certain level who can resist the urge to brag about how clever and ruthless they are. They often do this verbally while they have the hero trussed up and helpless, instead of just killing him and enjoying the fruits of their labors. And if they don't get a chance to do that, you can bet there's a journal lying around somewhere. DeMilby's was most enlightening.

Doctor Herbert West, whose bizarre career had been reported on by my friend Howard Lovecraft, had been working with Jack the Ripper and the White Centipede while I was in Hollywood. Since I was proving difficult to kill, they had intended to throw the resurrected Doctor Almanac at me after they pumped the cadaver full of the hellish combination of the Invisible Man's serum, Crusher Cranium's vile brew, and West's own reanimation reagent. They had approached Mag DeMilby, whose lifestyle made him a prime target for blackmail, and were using him as a source of information on the production schedule of "Blood of the Centipede." DeMilby was so enthusiastic about the project that he swiftly moved up from blackmail victim to paid accomplice.

However, I had been able, with the help of Amelia Earhart and Mary Jane Gallows, to eliminate the Ripper and his henchman before this scheme could come to fruition. (Blood of the Centipede, Pro Se Press, 2012) With their patrons removed from the game, DeMilby kept his mouth shut and West went even further underground than he already was. But they both hated me for derailing their gravy train, and decided to go ahead with the Almanac resurrection after I returned to Zenith. There was still some money and muscle left over from the White Centipede's Hollywood reign, and they used it to set their revenge in motion.

DeMilby hinted in his journal that he and West might have received further sponsorship from a shadowy mastermind whose identity he did not know. Keep that in mind, it will come up again later.

And that, as they say, was that. I should have been happy, but I felt a keen sense of disappointment and annoyance, as though I had been shortchanged somehow. It was as though Claudius had kicked the bucket from natural causes shortly after Hamlet's return to Elsinore, Gertrude had spilled the beans, the Ghost had gone on to his eternal reward, and the melancholy prince had ascended smoothly to the throne. It would have been a good outcome if you were Hamlet, Ophelia, Polonius, Rosencranz, Guildenstern, or any of the other casualties-- but the average Globe Theatre patron would have demanded his money back, and rightly so.

In the event, I had virtually no opportunities for clever quips or daring stunts. I had anticipated a battle royal with the forces of evil, a convoluted contest with plenty of harrowing twists and turns. I figured that I would be helpless at some point, facing sure death, and young Stymie would come up with a bold and clever solution, as he so often did in the "Our Gang" comedies. That would have been good storytelling. But no. Not even close. I thought perhaps one of my little band would be killed, making the whole business that much more poignant. And if you think that's callous of me, you obviously haven't noticed that virtually nobody in these memoirs ever stays dead for long.

West was out there somewhere. I figured he'd turn up again sooner or later. I was right, and it was the former. My next encounter with him was, in fact, just around the corner.

Anonymoushka disappeared, but I'd also be seeing her again very soon.

Crusher Cranium, wherever he was, drew no more attention to himself for a few months. I did not know at the time whether his mysterious liberators had been remnants of the White Centipede's organization or something else entirely. I would, in due course, find out.

The State Police found the small airfield where Almanac had been keeping his dirigibles. The Army took charge of them and moved them to a military airfield near Zenith. The government also took charge of a well-fortified laboratory where Almanac had been busy making more giant, invisible, unkillable monsters out of people. I wasn't happy about that, and resolved to covertly destroy the place at some point in the near future-- just to be on the safe side. Not that I don't trust our government, but I don't trust our government.

Stymie Beard was finally returned to his family and career. He went back to California on a train, with Patience and Prudence as volunteer bodyguards. I saw him off at the station and promised him a part in the sequel to "Blood of the Centipede," if William Randolph Hearst should choose to perpetrate such an abomination. Film historians, of course, know exactly what happened with that, so I need not go into it here.

And that, dear friends, is my story. If you have noticed any contradictions, omissions, or perilous leaps of logic, keep in mind that I am 105 years old.

***

EPILOGUE

A few days later, I was back at my headquarters, bent on a little relaxation.

"Miss Earhart phoned here and left you a message," J. Alfred Prufrock informed me, as I was making myself comfortable in an armchair with the latest edition of the Zenith Orator. "She told me to tell you to expect her at any time. She is looking into one or two matters that might interest you, she said."

"Excellent," I said. "After what I've been through, it will be a pleasure to see her. Actually, it would be a pleasure even if I hadn't been through anything at all."

"You're quite fond of her, aren't you, sir?"

"You would not be wrong in saying so. Be sure and lay in plenty of anything she might need or want, whatever those things might be."

Proofy went on his way and I opened up the newspaper and started reading. An item on an inside page caught my attention. It was a reprint from Monday's London Times, and it went like this:


MR. S. HOLMES

News was received in London this morning of the death of Mr. Sherlock Holmes, the celebrated consulting detective, at the age of 79. According to his friend and physician, Dr. John H. Watson, Mr. Holmes passed away on Sunday after a protracted illness, at his home on the Sussex Downs.

Mr. Holmes was born in London in 1854 and was educated at Oxford and Cambridge. In 1881 he established a practice in London as "the world's first consulting detective," and soon became known for his brilliant and unorthodox solutions to the most perplexing of crimes. In this capacity, he frequently worked alongside the police. He became famous in the last century through the efforts of the late Sir Arthur Conan Doyle, who collaborated with Mr. Holmes' friend and partner, the aforementioned Dr. Watson, on a series of biographical books and magazine articles based upon the detective's more notable cases. Mr. Holmes himself, in addition to numerous monographs on a wide variety of subjects, published his magnum opus, The Whole Art Of Detection, in 1926.

Mr. Holmes retired from active practice in 1903, at the relatively young age of 49, and took up residence on the Sussex Downs. After his retirement, he became an avid beekeeper, authoring a specialized apiculturist handbook under the title Practical Handbook of Bee Culture, with Some Observations upon the Segregation of the Queen.

Mr. Holmes was preceded in death by his parents, Siger and Violet Holmes, and his brother, Mr. Mycroft Holmes. Another brother, Sherrinford Holmes, failed to return home from a mountain-climbing expedition to Switzerland in 1865, and is believed to have perished, along with the other members of his party, in an avalanche.


***

I felt a pang. I had always wanted to meet the Great Detective, but had never gotten around to making it happen. And now it would never be.

That's what I thought at the time, anyhow. But I've been wrong before.

I was about to clip the obituary out for one of my scrapbooks when Proofy came bustling back into the room.

"Sir!" he said, his voice betraying some excitement, "there was a bulletin over the wireless just now. It seems that a bank robbery is in progress at Zenith First National Bank and Trust."

"And?" I said languidly. "Zenith does have a police force, you know, and it does them good to earn their pay every now and then. Builds character. I cannot be expected to do everything for them pro bono. You'll notice I don't hand out traffic citations, nor do I raid gambling parlors. Of course, neither do the cops in this town, but that's hardly the point. I..."

"Sir," he interrupted, "they're saying that one of the robbers is John Dillinger!"

"Well!" I exclaimed, fairly leaping from my seat. "Why didn't you say so? I'm on the case, Proofy! Oh, please go ahead and start getting supper ready. This shouldn't take long at all, and I may work up an appetite."

At the time, I believed that. Dillinger may have been able to run roughshod over hick sheriffs out in the boondocks, but he would soon learn that the Black Centipede was something else again. I embarked on this new errand with a sense of self-confidence that only the weak and timid would call hubris. I'd have Dillinger in the city jail in less than an hour.

I'm glad I didn't bet any money on that...


FIN


What happens next? Find out in Black Centipede Confidential, on sale NOW!!!
http://www.amazon.com/Black-Centipede-Confidential-Chuck-Miller-ebook/dp/B00SP5W6QI/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1422837327


Thursday, January 15, 2015

Black Centipede Confidential

The Black Centipede and his friend and partner, Amelia Earhart, will return in Black Centipede Confidential, facing off against Professor Moriarty, Lord of the Vampires, and his diabolical Order of the Sunless Circle. The stakes are higher than ever this time around, and our heroes will be sorely pressed. But they will not fight alone. Joining them will be the members of the Black Centipede's Invisible Round Table.


 BLACK CENTIPEDE CONFIDENTIAL: THE FIGHT CARD


(Some names appear on both lists. They aren't typos-- they're just fickle.)

THE BLACK CENTIPEDE and the INVISIBLE ROUND TABLE:

Amelia Earhart
Anonymoushka
Gregor Samsa
Patience and Prudence
J. Alfred Prufrock
F. Scott Fitzgerald
Percival Doiley
Resurrection Mary
Lester Dent
Walter B. Gibson
Bela Lugosi
John Dillinger
Mary Jane Gallows
Dr. Wilhelm Reich
Frank Nitti
and a
SUPER-SECRET SURPRISE GUEST HERO!


VERSUS
 PROFESSOR JAMES MORIARTY, LORD OF THE VAMPIRES, and the 
ORDER OF THE SUNLESS CIRCLE:

Bonnie Parker
Clyde Barrow
Charles Arthur "Pretty Boy" Floyd
John Dillinger
Kate "Ma" Barker
Max Schreck
Dr. Herbert West, Re-Animator
Zelda Fitzgerald
Dr. Hawley Crippen
Mary Jane Gallows
Judith DeCortez
Stagger Lee
The Loch Ness Monster
The Bell Witch
and a
SUPER-SECRET SURPRISE GUEST ARCH-FIEND!

BLACK CENTIPEDE CONFIDENTIAL-- MAY be published within the lifetime of the author and the readers, we hope. So, to renew your acquaintance and/or whet your appetite, here is an excerpt from BLOOD OF THE CENTIPEDE:


CHAPTER TEN: FISHING TRIP


Frank Nitti had been as good as his word-- a relatively new experience for him, I imagined-- and Amelia and I went out on another fact-finding mission, armed with the list of speakeasies. I went unmasked, dressed in something other than one of my customary suits of solemn black. Amelia, very wisely, had donned a suit of men's clothes and had her hair stuffed up under a newsboy cap.

I had taken possession of my car that afternoon-- I had made arrangements for it to be shipped out on a freight train when it started looking like I might need it.  Amelia and I visited one dive after another, and we played it very low-key.  We sat and drank and listened to conversations around us. We identified the drunkest and most questionable-looking patrons and struck up acquaintances, paying for drinks, listening to stories, asking very discreet questions. We learned the same rumors over and over again, about an unknown new crime boss who was trying to set up shop, and about the mad Judith DeCortez, who was thought to be working for him.

Nothing we didn't already know.

"The important thing about an iron fist in a velvet glove," I observed at one point, "is that it has an iron fist in it. We're getting nowhere fast using the glove by itself."

"I'm just not comfortable with all that violence."

"Nobody is. That's how come it works."

She heaved a heavy sigh. "Maybe you're right."

"Of course I am. I don't see how you ever could have doubted it. I am, after all, an expert. Whoever this guy is-- whether he's this so-called White Centipede or not-- he is ruthless. Judith DeCortez is ruthless. That means whoever goes up against them has got to be ruthless, too. He has to be more ruthless than they are, or he will not win. And if he doesn't win, he is dead. Very straightforward."

Amelia stood up. "Well, in any event, I think I've had enough of this. Let's go."

"Where?"

"I don't know. Anywhere. I could really use some fresh air."

So we hit the street and walked around aimlessly for the better part of an hour. We were dressed rather roughly, and I had plastered an expression on my face that was an unmistakable warning to anyone who thought he might like to try any rough stuff on us. I wasn't worried about ordinary muggers and sex perverts. I almost wished somebody would get big ideas-- the exercise would have done me some good.

As we crossed a street at the corner, something caught Amelia's eye. She peered up the cross street and said, "Isn't that Roscoe Arbuckle?"

"Where?"

"Ducking into that alley, there." I looked in the direction she was pointing her finger, and saw a figure that certainly matched Fatty in terms of height and girth.

"Could be," I said. "Wonder what he's doing down here."

"So do I. Let's find out."

I shrugged and followed her toward the mouth of the alley. I didn't have anything better to do. And if Fatty was a habitué of this kind of neighborhood, he might be of some help.

We reached the alley and peeped around the corner. I saw someone slip around the corner at the other end of the alley, but whoever it was was too tall and slender to be Arbuckle. From where I was, I could not see any doorways into which Fatty might have ducked. Motioning for Amelia to remain where she was, I crept around the corner and made my way toward the opposite end of the alley. There were no convenient doorways, and I figured Fatty-- or whoever it was-- had simply cut through to the next street. I was on my way back to Amelia when something caught my eye.

Someone had chalked a few words onto the brick wall roughly at the halfway point of the alley. They were as high up as the shoulders of an average man, and they looked fresh:

The Juwes are the men That Will not be Blamed for nothing


If not for the fact that I have nerves of steel and ice water in my veins, I would no doubt have felt an icy talon clutching my heart just then. I recognized that sentence. And what was chalked onto the wall just below it, in smaller letters, gave me considerable pause:

It Begins Again

"What's that?" Amelia asked, peering over my shoulder, apparently having trotted up while I was in deep contemplation.

"This?" I replied. "It's nothing. Just some silly graffiti."

She gave it a look. "Huh. Crazy. Is that some kind of anti-Semitic screed?"

"I guess." I didn't tell her where, and under what circumstances, the odd message with the curious spelling had famously appeared many years earlier.  It had been found scrawled on a wall in London, England, some 44 years before, in close proximity to two very extraordinary murders. Many believed that the message had been written by the faceless jackal known as Jack the Ripper.


You know, the guy they never caught...
 
But it probably didn't mean anything here. I filed it away in my brain. I had bigger things to worry about.

"Gosh," Amelia said, "there are a lot of Jews in the movie business. I hope nobody's trying to start some of that Nazi crap over here."

"So do I," I said.

"No Fatty?" she asked.

"No Fatty," I affirmed.

We decided to call it a night.

Back in my room, I went through the motions of another fruitless attempt to analyze the material I had obtained from the rubber-suited woman. None of it made sense. I crawled into bed and glanced through the newspaper.

The first of FDR's Civilian Conservation Corps facilities had just opened in Michigan. In Scotland, someone claimed to have spotted a huge aquatic monster in Loch Ness. Adolf Hitler had eliminated all of the labor unions in Germany. Someone calling himself the Blue Candiru had foiled a bank robbery in Los Angeles. Another new masked avenger, evidently. Hooray.

I tossed the paper onto the floor, turned off the light, and went to sleep.



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