Showing posts with label mary kelly. Show all posts
Showing posts with label mary kelly. Show all posts

Monday, July 7, 2014

They're coming!

The Black Centipede and his friend and partner, Amelia Earhart, will return this Fall in Black Centipede Confidential, facing off against Professor Moriarty, Lord of the Vampires, and his diabolical Order of the Sunless Circle. The stakes are higher than ever this time around, and our heroes will be sorely pressed. But they will not fight alone. Joining them will be the members of the Black Centipede's Invisible Round Table.


 BLACK CENTIPEDE CONFIDENTIAL: THE FIGHT CARD

(Some names appear on both lists. They aren't typos-- they're just fickle.)

THE BLACK CENTIPEDE and the INVISIBLE ROUND TABLE:

Amelia Earhart
Anonymoushka
Gregor Samsa
Patience and Prudence
J. Alfred Prufrock
F. Scott Fitzgerald
Percival Doiley
Resurrection Mary
Lester Dent
Walter B. Gibson
Bela Lugosi
John Dillinger
Mary Jane Gallows
Dr. Wilhelm Reich
Frank Nitti
and a
SUPER-SECRET SURPRISE GUEST HERO!


VERSUS

 PROFESSOR JAMES MORIARTY, LORD OF THE VAMPIRES, and the 
ORDER OF THE SUNLESS CIRCLE:

Bonnie Parker
Clyde Barrow
Charles Arthur "Pretty Boy" Floyd
John Dillinger
Kate "Ma" Barker
Max Schreck
Dr. Herbert West, Re-Animator
Zelda Fitzgerald
Dr. Hawley Crippen
Mary Jane Gallows
Judith DeCortez
Stagger Lee
The Loch Ness Monster
The Bell Witch
and a
SUPER-SECRET SURPRISE GUEST ARCH-FIEND!


So, to renew your acquaintance and/or whet your appetite, here is an excerpt from BLOOD OF THE CENTIPEDE:



CHAPTER TEN: FISHING TRIP


Frank Nitti had been as good as his word-- a relatively new experience for him, I imagined-- and Amelia and I went out on another fact-finding mission, armed with the list of speakeasies. I went unmasked, dressed in something other than one of my customary suits of solemn black. Amelia, very wisely, had donned a suit of men's clothes and had her hair stuffed up under a newsboy cap.

I had taken possession of my car that afternoon-- I had made arrangements for it to be shipped out on a freight train when it started looking like I might need it.  Amelia and I visited one dive after another, and we played it very low-key.  We sat and drank and listened to conversations around us. We identified the drunkest and most questionable-looking patrons and struck up acquaintances, paying for drinks, listening to stories, asking very discreet questions. We learned the same rumors over and over again, about an unknown new crime boss who was trying to set up shop, and about the mad Judith DeCortez, who was thought to be working for him.

Nothing we didn't already know.

"The important thing about an iron fist in a velvet glove," I observed at one point, "is that it has an iron fist in it. We're getting nowhere fast using the glove by itself."

"I'm just not comfortable with all that violence."

"Nobody is. That's how come it works."

She heaved a heavy sigh. "Maybe you're right."

"Of course I am. I don't see how you ever could have doubted it. I am, after all, an expert. Whoever this guy is-- whether he's this so-called White Centipede or not-- he is ruthless. Judith DeCortez is ruthless. That means whoever goes up against them has got to be ruthless, too. He has to be more ruthless than they are, or he will not win. And if he doesn't win, he is dead. Very straightforward."

Amelia stood up. "Well, in any event, I think I've had enough of this. Let's go."

"Where?"

"I don't know. Anywhere. I could really use some fresh air."

So we hit the street and walked around aimlessly for the better part of an hour. We were dressed rather roughly, and I had plastered an expression on my face that was an unmistakable warning to anyone who thought he might like to try any rough stuff on us. I wasn't worried about ordinary muggers and sex perverts. I almost wished somebody would get big ideas-- the exercise would have done me some good.

As we crossed a street at the corner, something caught Amelia's eye. She peered up the cross street and said, "Isn't that Roscoe Arbuckle?"

"Where?"

"Ducking into that alley, there." I looked in the direction she was pointing her finger, and saw a figure that certainly matched Fatty in terms of height and girth.

"Could be," I said. "Wonder what he's doing down here."

"So do I. Let's find out."

I shrugged and followed her toward the mouth of the alley. I didn't have anything better to do. And if Fatty was a habitué of this kind of neighborhood, he might be of some help.

We reached the alley and peeped around the corner. I saw someone slip around the corner at the other end of the alley, but whoever it was was too tall and slender to be Arbuckle. From where I was, I could not see any doorways into which Fatty might have ducked. Motioning for Amelia to remain where she was, I crept around the corner and made my way toward the opposite end of the alley. There were no convenient doorways, and I figured Fatty-- or whoever it was-- had simply cut through to the next street. I was on my way back to Amelia when something caught my eye.

Someone had chalked a few words onto the brick wall roughly at the halfway point of the alley. They were as high up as the shoulders of an average man, and they looked fresh:

The Juwes are the men That Will not be Blamed for nothing


If not for the fact that I have nerves of steel and ice water in my veins, I would no doubt have felt an icy talon clutching my heart just then. I recognized that sentence. And what was chalked onto the wall just below it, in smaller letters, gave me considerable pause:

It Begins Again

"What's that?" Amelia asked, peering over my shoulder, apparently having trotted up while I was in deep contemplation.

"This?" I replied. "It's nothing. Just some silly graffiti."

She gave it a look. "Huh. Crazy. Is that some kind of anti-Semitic screed?"

"I guess." I didn't tell her where, and under what circumstances, the odd message with the curious spelling had famously appeared many years earlier.  It had been found scrawled on a wall in London, England, some 44 years before, in close proximity to two very extraordinary murders. Many believed that the message had been written by the faceless jackal known as Jack the Ripper.


You know, the guy they never caught...
 
But it probably didn't mean anything here. I filed it away in my brain. I had bigger things to worry about.

"Gosh," Amelia said, "there are a lot of Jews in the movie business. I hope nobody's trying to start some of that Nazi crap over here."

"So do I," I said.

"No Fatty?" she asked.

"No Fatty," I affirmed.

We decided to call it a night.

Back in my room, I went through the motions of another fruitless attempt to analyze the material I had obtained from the rubber-suited woman. None of it made sense. I crawled into bed and glanced through the newspaper.

The first of FDR's Civilian Conservation Corps facilities had just opened in Michigan. In Scotland, someone claimed to have spotted a huge aquatic monster in Loch Ness. Adolf Hitler had eliminated all of the labor unions in Germany. Someone calling himself the Blue Candiru had foiled a bank robbery in Los Angeles. Another new masked avenger, evidently. Hooray.

I tossed the paper onto the floor, turned off the light, and went to sleep.



Now BUY it already!





Thursday, January 3, 2013

I got yer Centipede right here! (And that ain't all I got.)


BLOOD OF THE CENTIPEDE, NOW AVAILABLE ON AMAZON, PRINT AND KINDLE: 

VISIT MY AMAZON PAGE:
http://www.amazon.com/Chuck-Miller/e/B005WX2CKQ/ref=ntt_athr_dp_pel_1
BLOOD OF THE CENTIPEDE
REVIEW BY Greg Daniel
 

If Peculiar Oddfellow wasn't already the name of an interesting New Pulp character in his own right, it would be an apt descriptor and tagline for the Black Centipede. For the uninitiated, it is hard to describe the Black Centipede as a character without leaving the reader with slack jaw and raised eyebrow. Chuck Miller has really created a one of a kind hero ... or maybe anti-hero ... heck, by the time Miller is done with the Centipede Saga, he may play two supporting roles and be the villain as well.

For starters, the Black Centipede's adventures are presented in the first person "as told to" Chuck Miller. The Centipede's adventures were also chronicled back in the 1930s in his own pulp magazine by a writer who the Centipede views as an untalented hack. In Blood of the Centipede, said hack is now serving as screenwriter for a "B" movie featuring the Centipede, directed by Fatty Arbuckle and produced by William Randolph Hearst. This combination of multiple chroniclers, fiction within fiction, and a potentially unreliable narrator all lend a meta quality that one does not normally encounter in New Pulp, old Pulp, or any Pulp (except maybe that Tarantino movie).

The other thing that jumps out immediately and grabs the reader by the throat or eyeballs or other vital part is the voice. As I mentioned, it is in first person, which, while not unheard of, is relatively rare in masked vigilante stories. But it is the actual voice that makes it truly unique. It is sardonic, sarcastic, and downright snarky. It is not like any voice in the genre and it delivers a wild, twisting ride that touches on the action, adventure, mystery, and mysticism one comes to New Pulp to experience and delivers it in a manner that is both comforting and disorienting, like a funhouse at an amusement park. That is if that funhouse was designed by Salvador Dali

Miller walks an amazing tightrope in this book and it is testament to his skill and the character of the Black Centipede that I enjoyed it as much as I did, For you see, this story had several elements that, in general I don't like and yet I must admit that not only they worked, but they were necessary to the book. I hate it when a book (or movie or television show) starts in some predicament near the climax and then tells the bulk of the story in flashback. I hate dreams as a plot device. I am tired of Jack the Ripper stories. But here, these things worked.

It is hard to discuss much of the plot for fear of giving too much away. The Black Centipede heads to Hollywood with new partner-in-action, Amelia Earhart, to investigate a mysterious threat while also serving as a consultant to the aforementioned movie. There he discovers a familiar foe (or two) and a new nemesis, the White Centipede. He is helped and hindered by a new costumed vigilante, the Blue Candiru. He discovers a mystical tome of great power, has a run-in with Aleister Crowley, and is introduced to the Order of the Centipede, all while investigating a string of Jack-the-Ripper copycat killings.

But, trust me it isn't as simple as all that.

Blood of the Centipede is a whirling dervish, spinning wildly from childish fun to mystic ecstasy. It is The Shadow by Hunter S. Thompson. It is gonzo pulp. Give it a spin.

Lest I forget, I loved the back cover by Sean Ali. I don't know if it is the Spy vs. Spy vibe or what, but that is one cool piece and should be a poster or t-shirt or both. 



The Black Centipede and related characters are part of a grand concept I came up with myself and started writing and publishing on the web.

They had actually been festering in my skull for more than 20 years-- a proposed comic book that never made it off the ground-- and it seemed about time to let them out.

I realized I wasn't getting any younger. So I started cranking out prose like a man possessed. Well, the Black Centipede Press web project caught the eye of Tommy Hancock at Pro Se Press, and they have now published the first Black Centipede novel, "Creeping Dawn: The Rise of the Black Centipede."
(Order it now from Amazon: http://www.amazon.com/Creeping-Dawn-Rise-Black-Centipede/dp/146633813X/ref=sr_1_1?s=books&ie=UTF8&qid=1316819459&sr=1-1)

The Black Centipede is a traditional pulp action hero who refuses to behave like one. He casually breaks every rule in the book. Then he writes new rules. Then he breaks those. He is the world's greatest action hero. He is a dangerous madman. He is both criminal and crimefighter, pursuing an agenda that he himself has yet to fully define.

His career has spanned 80 years (so far), and he has become involved with some of the most famous and infamous individuals of the 20th and 21st centuries. "Creeping Dawn" takes up his story in the pivotal period between 1927 and 1933.

In his fictional world, the Centipede is both a real-life crime fighter and the star of a successful pulp adventure magazine, which presents highly-fictionalized accounts of his adventures. The series explores, among other things, the disparity between the public image and the man himself. We also learn the "shocking truth" about several well-known historical people and events. In the world of the Black Centipede, absolutely nothing is what it seems to be.


The Centipede's best friend and arch enemy, "Bloody" Mary Jane Gallows is a strange creature indeed. She appears human, but is in reality a thought construct called a tulpa. She came into existence as the result of an unconscious telepathic union between Lizzie Borden and Jack the Ripper. And it just gets worse from there.
THE CITY OF ZENITH, home of the Black Centipede, is a living example of the uncertainty principle. It is on the East or West Coast, or one of the Great Lakes, or the Mississippi River. Everyone has lived there at one time or another, including you.

Zenith is one of the most versatile cities in the United States. It is as large or as small as it needs to be for whatever story I happen to be writing at a given time. I did not, however, discover it myself. The city was founded by Sinclair Lewis. According to WIKIPEDIA, "Winnemac is a fictional U.S. state invented by the writer Sinclair Lewis. His novel Babbitt takes place in Zenith, its largest city (population 361,000, according to a sketch-map Lewis made to guide his writing). Winnemac is also the setting for ‘Gideon Planish,’ ‘Arrowsmith,’ ‘Elmer Gantry,’ and ‘Dodsworth.’"


Inspired by the work of the late Philip Jose Farmer, I have developed the habit of treating fictional characters as though they actually lived, and people who actually lived as though they were fictional characters. The Centipede has an elaborate history, for which I have created artifacts. Amelia Earhart, Frank Nitti, and William Randolph Hearst have prominent roles in the saga.
Farmer's biography of Doc Savage, along with his "Riverworld" novels, started wheels turning in my head that are still grinding today. Farmer's influence on my own work cannot be overstated.

The Black Centipede himself began to take shape many years ago, when I read Farmer's essay,
"The Fourfold Vision," in "Doc Savage: His Apocalyptic Life," which discusses the work of Lester Dent, E.E. Smith, Henry Miller and William S. Burroughs. Now you know who to blame for the connection I made between Burroughs and pulp heroes! Farmer pointed the way.

The Centipede was originally conceived as a cross between Burroughs and the Shadow, with a dash of Doc Savage. (Black centipedes are a loathsome centerpiece of Burroughs' novel "Naked Lunch.") Like Doc, he makes his home/headquarters in the top floors of the tallest skyscraper in the city; he is addicted to the use of clever gadgets of his own invention; and he performs brain operations on criminals. Of course, these operations involve the application of hot lead to the troublesome organ. (Though the survival rate is zero, so is the rate of recidivism.)
The Centipede shares Burroughs' enthusiasm for orgone accumulators, the cut-up method, and quoting Shakespeare, as well as a certain unfortunate vice they both have in common with Sherlock Holmes. I have three other series, aside from "Tales of the Black Centipede." All of them sprang from my first novel, "The Optimist Book One: You Don't Know Jack," as did the Centipede himself. All of my "stars" started life as supporting characters in this novel. Here is a brief synopsis:
JACK CHRISTIAN ("THE OPTIMIST") is the grown-up former kid sidekick of deceased superhero Captain Mercury. After 12 years away from his home city of Zenith, Jack is lured back by the promise of a substantial trust fund. When he gets there, he meets one oddball after another, starting with Vionna Valis, a strange young woman with a startling secret that nobody-- herself included-- knows. An encounter with what purports to be the ghost of Captain Mercury puts Jack and Vionna on the trail of the Black Centipede. Along the way, they run afoul of the ghost of Jack the Ripper, and seek the help of Doctor Unknown Junior.
In the beginning, Jack Christian was going to be my star. That was how I had it planned. The Centipede, Vionna, Mary Kelly and Dana Unknown were to be his supporting cast. Well, John Lennon once said that life is "what happens to you while you're busy making other plans." I can now confirm that the same is true of fiction. The supporting cast staged a coup, leaving poor Jack behind. I now regard the Optimist as an artistic failure, but one that still has considerable merit. I don't plan to continue the series in its original form. Jack Christian has been co-opted by Doctor Unknown Junior to serve as her "Watson."

Dr. Dana Marie Laveau Unknown, PhD, is an incredibly accomplished practitioner of the mystic arts, having attained the status of Level Twelve Magus shortly after her 22nd birthday. She is the daughter of Raoul Deveraux Unknown, the well-known sorcerer/superhero/certified public accountant known as Dr. Unknown. The original Doctor Unknown retired several years ago, after a traumatic incident in which he accidentally destroyed the planet Earth and a large portion of the solar system. Though he and Dana were able to successfully reboot the time stream, thus more or less erasing the episode from history, the experience left him a shattered man.

Dana Unknown has taken over her father's former duties, sometimes humorously referring to herself as "Doctor Unknown Junior." Click HERE to learn more!

"The Incredible Adventures of Vionna Valis and Mary Jane Kelly," "The Optimist," "Tales of the Black Centipede," and "The Mystic Files of Doctor Unknown Jr." are all set in the same world, and all the characters know one another and interact frequently.
"The Incredible Adventures of Vionna Valis and Mary Jane Kelly." (Click HERE to learn more!)  Detective stories with a paranormal twist. The WVC is a "psychic detective agency," staffed by a mysterious young woman named Vionna Valis, and the five original 1888 victims of Jack the Ripper, who have been bodily resurrected in the 21st century. It's a long story, which is told in my mercifully unpublished novel,"The Optimist Book One: You Don't Know Jack."

Philip Jose Farmer's inspiration came to me not only through his own novels and stories, but also by way of two lengthy conversations he was gracious enough to endure with the young fan that I was some 20-odd years ago. (Very odd years, for the most part.) I will always treasure those memories, and hope that I can do them justice now. I only wish Farmer were here to see this offspring of his vision come to fruition. It is to him-- and to the Original Centipede, William S. Burroughs-- that I dedicate the Black Centipede's maiden voyage.
William S. Burroughs, 1960. Photo by Brian Duffy. (Authorized for use with attribution.)

William Burroughs 1960